It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 22, 2011, 05:57 PM
http://www.claygasbury.com/2011/04/effects-quick-t...
Another workflow tip for those new or transitioning to After Effects.
April 22, 2011, 05:55 PM
http://provideocoalition.com/index.php/news/story/...
Lake Mary, FL, April 20, 2011—Digital Juice announced today that it is releasing its first plug-in for Adobe After Effects called COLOR RULES. Designed to drastically cut down the time required to experiment and define the perfect color scheme for motion graphics projects, the Color Rules plug-in works with multiple layers and compositions at the same time and is fun and easy to use.
April 22, 2011, 03:37 PM
http://www.digitalrebellion.com/blog/posts/introdu...
Discover the main features of Cut Notes, an iPad app for creating timecode notes during a screening.
April 22, 2011, 03:36 PM
http://itunes.apple.com/us/podcast/digital-rebelli...
We've just created a video podcast to show how to get the most out of Digital Rebellion products. We plan to show tutorials and demonstrations for common workflows and focus on tips and tricks that people don't know about. The first episode is the Cut Notes overview video from earlier this year and more episodes will be coming shortly.
April 22, 2011, 03:35 PM
http://lfhd.net/2011/04/22/inexpensive-archiving-f...
This last NAB (NAB 2011), I had a mission. Well, other than working as a demo artist for Matrox that is. My mission was to search for a reasonably priced archiving solution of tapeless media that all of us not-so-big production and post production people could afford. There are plenty of options for the places that can afford to drop 10,000 – 20,000...and need to back up footage for a dozen or more projects each month.
April 22, 2011, 02:12 PM
http://charlesheureaux.com/2011/04/22/how-to-after...
In today's lesson we will explore how to convert a video filmed in 60fps to what ever frame rate you wish.
April 22, 2011, 11:52 AM
https://www.aotg.com/video-editor-hell/
Humorous look at Editor Producer relations
April 22, 2011, 10:00 AM
https://www.aotg.com/karen-pearlman-on-theories-for-editing-rhythms/
Karen Pearlman discuss Rhythmic Patterns in editing. This is part of Karen's theories she developed and examined in her book Editing Rhythms.
April 22, 2011, 09:49 AM
http://provideocoalition.com/index.php/atepper/sto...
Like a miniature version of the original KiPro from AJA (which I reviewed in October 2009), the KiPro Mini performs many of the same functions (although not all of them) in a fraction of the space —and at a fraction of the cost— and is designed to dock onto the back of many professional camcorders, while it makes a higher quality recording than that is possible internally with most of them.
April 22, 2011, 09:42 AM
http://magazine.creativecow.net/article/ajanab
Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you a small handful of their reports. In this entry, we find that Gary Adcock spent quite a bit of time at NAB working in the AJA booth, and here's what he saw.....
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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