To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Thelma Schoonmaker Story
April 12, 2011, 07:53 PM
http://editorunderconstruction.blogspot.com/2011/0...
An axiom of Hollywood post-production holds that the best editing maintains a seamless invisibility; that the best editors don't draw attention to their work. Thelma Schoonmaker simultaneously embodies and shatters that axiom. On one hand, she is certainly one of Hollywood's most self-effacing editors, perhaps understandably so working as Martin Scorsese's editor. Editing all his films from Raging Bull on, she always claims the credit goes to Scorsese since he shoots for and edits with her.
Shotgun Software and Thinkbox Software Offer
April 12, 2011, 07:51 PM
http://www.digitalproductionbuzz.com/2011/04/12/sh...
Shotgun Software, the web-based project management and collaboration system, and Thinkbox Softwares Deadline render queue management software, today announced their intent to integrate their tools, offering visual effects, animation and digital production studios an out-of-the-box solution that greatly increases the speed of the render and review workflow and provides insights into how studios are using their render resources.
New AJA Hi5-Fiber and FiDO SDI/Optical Fiber
April 12, 2011, 07:50 PM
http://www.videoguys.com/Blog/PL/0x2e49bd90e9018cb...
AJA Video Systems will debut five brand new Mini-Converters among the companys product introductions at the National Association of Broadcasters Conference, April 11-14 in Las Vegas, NV. The leading manufacturer of professional video interface and conversion solutions is showcasing the new Hi5-Fiber Mini-Converter and four new models of the FiDO family of SDI/Optical Fiber Mini-Converters.
SAN Solutions Introduces ArtiSAN 9400 and ArtiSAN
April 12, 2011, 07:49 PM
http://www.digitalproductionbuzz.com/2011/04/12/sa...
SAN Solutions Inc., announced the launch of two new product lines in its ArtiSAN Storage Platform family. The ArtiSAN 9400 series is designed for high-performance film and video applications, and the ArtiSAN 5400 series is ideal for compressed HD media production, audio post, and near-line, high-capacity media storage. Both products are making their international debut this week at the 2011 NAB Show in the SAN Solutions’ booth, SU3725.
AJA Announces FS2 Dual Channel Universal Frame
April 12, 2011, 07:48 PM
http://www.videoguys.com/Blog/PL/0xd9ed9ee2d2f63c8...
AJA Video Systems opens up myriad workflow possibilities with the launch of FS2, a universal frame synchronizer and converter with two completely independent channels that can be used separately or together, all in a compact 1RU design. Each FS2 video channel supports virtually any input or output: analog component or composite, 3G/HD/SD-SDI, Dual-Link and HDMI I/O--and each channel has its own still-store, keyer, and video proc amp/color corrector.
5 Alarm Music to Offer SmartSound Software
April 12, 2011, 07:47 PM
http://www.digitalproductionbuzz.com/2011/04/12/5-...
Avid Delivers Greater Tactile Control for Colorist
April 12, 2011, 07:47 PM
http://www.videoguys.com/Blog/PL/0xad745c510bb1539...
Avid today announced that content creators can use Avid Artist Color to control the color grading features of Assimilate Scratch, Image Systems Nucoda (formerly Digital Vision), and Pomfort Silverstack SET Edition via native support for Avid's EUCON protocol.
Got Final Cut? AVID Offers Reduced Pricing
April 12, 2011, 07:45 PM
http://www.digitalproductionbuzz.com/2011/04/12/fi...
Matrox Announces Support for Adobe CS5.5
April 12, 2011, 07:44 PM
http://www.digitalproductionbuzz.com/2011/04/12/ma...
Matrox Video Products Group announced support for Adobe Creative Suite 5.5 Production Premium software with the Matrox MXO2 family of I/O devices. The award-winning Matrox MXO2 devices provide cross-platform Mac and Windows support and can be easily moved among desktop systems in a facility, installed in an OB van, or taken on the road with a laptop.
Matrox Announces Matrox MXO2 Family of I/O device
April 12, 2011, 07:43 PM
http://www.digitalproductionbuzz.com/2011/04/12/ma...
Matrox Video Products Group announced support for Adobe Flash Media Live Encoder software with Matrox MXO2 I/O devices. The Matrox MXO2 family offers a full range of capture hardware solutions ideal for feeding live content to Adobe Flash Media Server software. Applications include field journalism, sports, live events, and distance learning.
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