To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avengers Endgame VFX interview

August 8, 2019, 09:13 AM

https://www.artofvfx.com/avengers-endgame-carlos-c...

Carlos Ciudad began his career in visual effects at Framestore in 2013. He then worked at MPC and joined the teams of DNEG in 2017. He has worked on many films such as THE JUNGLE BOOK, ALIEN: COVENANT, VENOM and CAPTAIN MARVEL.

VFX Tutorial: Recreating the Mind Flayer from Stra

August 2, 2019, 06:18 AM

https://www.studiodaily.com/2019/08/vfx-tutorial-r...

Give filmmaker Seth Worley [previously] eight minutes and his latest VFX tutorial will show you how to make the mind flayer from season two of Stranger Things on your desktop in Adobe After Effects. According to Red Giant, the tools he uses to make this happen include: VFX Suite (Supercomp) Trapcode Suite (Particular, Tao) Magic Bullet Suite (Looks, […] The post VFX Tutorial: Recreating the Mind Flayer from Stranger Things appeared first on Studio Daily.

Far From Home VFX Supervisor Interview

August 1, 2019, 09:59 AM

https://www.artofvfx.com/spider-man-far-from-home-...

In 2017, Theo Bialek had explained to us the work of Sony Pictures Imageworks on SPIDER-MAN: HOMECOMING. He then worked on LOVE, DEATH & ROBOTS. He talks to us today about his work on SPIDER-MAN: FAR FROM HOME.

Captain Marvel VFX Breakdown

August 1, 2019, 05:47 AM

https://www.artofvfx.com/captain-marvel-vfx-breakd...

Come discover how CAPTAIN MARVEL gets her super powers with the help of Scanline VFX...

The latest developments from ftrack

July 30, 2019, 07:37 AM

https://beforesandafters.com/2019/07/30/the-latest...

I’m excited to have ftrack as the sponsor of #realtimewrapup week here at befores & afters; this weekly series is a special dive into various real-time and virtual production happenings direct from SIGGRAPH 2019 in LA.

Stranger Things 3 - VFX Breakdown

July 30, 2019, 07:37 AM

https://www.artofvfx.com/stranger-things-season-3-...

German studio RISE presents their work on the third season of STRANGER THINGS...

The latest developments from ftrack

July 30, 2019, 07:37 AM

https://beforesandafters.com/2019/07/30/the-latest...

I’m excited to have ftrack as the sponsor of #realtimewrapup week here at befores & afters; this weekly series is a special dive into various real-time and virtual production happenings direct from SIGGRAPH 2019 in LA.

How ‘The Lion King’ filmmakers shot the 'Every

July 30, 2019, 07:37 AM

https://beforesandafters.com/2019/07/30/how-the-li...

Jon Favreau’s re-imagining of The Lion King took on a whole new filmmaking paradigm. The final result was a huge visual effects and animation effort, and it also involved a heavily reliance on virtual production on a virtual stage with real-time and VR tools, all aimed at bringing to the film a ‘live-action’ look and feel, as if a camera crew had gone out to shoot the movie in Africa.

Everything You Need to Know About Chroma Key

July 29, 2019, 10:11 AM

https://www.premiumbeat.com/blog/chroma-key-green-...

The use of green screens has come a long way over the past few decades. Technology that was primarily reserved for Hollywood blockbusters and local news stations is now utilized by many of your favorite YouTubers. Here, we’ll guide you through the entire process of using green screen backgrounds from start to finish. We’ll talk lighting, cinematography, keying, and common mistakes.

A fine line between grotesque and hilarious

July 29, 2019, 06:03 AM

https://beforesandafters.com/2019/07/29/a-fine-lin...

Twenty-five years ago, a relatively small film with ambitious visual effects was released that managed to make a splash with audiences. The film was The Mask, directed by Chuck Russell and starring Jim Carrey, who transformed into a crazy super-human any time he wore a mysterious mask.

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