It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 7, 2011, 06:33 PM
http://broadcastengineering.com/products/3ality-di...
Looking to reduce the amount of crew and the cost required for the creative process, at the 2011 NAB Show, 3ality Digital will highlight new software tools that make acquiring stereoscopic 3-D content easier and more efficient. The new IntelleCal and IntelleCam software solutions, part of the company's 3space suite of products, will be shown for the first time in Las Vegas.
April 7, 2011, 06:32 PM
http://www.digitalproductionbuzz.com/2011/04/07/ca...
At last year's National Association of Broadcasters (NAB) Convention, Cache-A was one of the first companies to demonstrate the new LTFS (Linear Tape Film System) format in product form. This year at NAB 2011, all of Cache-A's LTO-5 based products will include LTFS capability, including the company’s flagship product, Pro-Cache5, and the new high-performance Power-Cache and the cost-effective Prime-Cache5.
April 7, 2011, 01:48 PM
http://avidassteditor.com/2011/04/07/pray-a-little...
We've all been there. Feverishly working in Avid and not really paying attention to how often Avid has been saving until you get the spinning wheel. You know what I’m talking about. (On an Apple it is the beach ball of death.) You see that, and you can kiss your unsaved work goodbye.
April 7, 2011, 01:47 PM
http://www.biscardicreative.com/blog/2011/04/apple...
So by now it's a known fact that the FCPUG Supermeet on April 12 in Las Vegas has been abruptly taken over by Apple. Yes, it says "special presenter" on the Supermeet Website but it's a known fact now that it will be Apple showing off the new Final Cut Pro and most likely the entire new Studio suite.
April 7, 2011, 01:45 PM
http://www.redgiantsoftware.com/blog/2011/04/07/ne...
In this tutorial, Aharon Rabinowitz shows you how to clean up (remove noise) and add life to interview footage through color correction. Though Aharon demonstrates in After Effects, the tutorial works for users of Final Cut Pro, Premiere Pro and more.
April 7, 2011, 01:43 PM
http://www.studiodaily.com/main/news/13059.html
Red Giant Software, publisher of the popular Magic Bullet and Trapcode Suites, will introduce six new and updated products at the upcoming NAB Show in Las Vegas, NV (April 11-14, 2011) in Booth SL3327C. Our NAB showcase includes two brand new free color grading tools, an updated DSLR video conversion tool, new Guru Preset Packs, and two new iPhone/iPad apps for cinematic color treatment.
April 7, 2011, 01:41 PM
http://broadcastengineering.com/storage_networking...
Broadcasters have a range of choices when it comes to signal compression solutions. For advanced, professional-grade compression, MPEG-2, H.264 and JPEG 2000 are all viable options. Ultimately, network infrastructure, bandwidth requirements and budget all help to define the "right" choice for a broadcaster. MPEG-2 and H.264 are strong options for compression for next-generation multimedia applications.
April 7, 2011, 10:02 AM
http://www.spikemagazine.com/rhythm-methods-the-ph...
As much as we love contemporary dance – Siobhan Davies, Wayne McGregor, Liz Aggiss, and others, it isn't covered by Spike's remit. We do, however, write about film and can bend the rules for The Physical TV Company. Formed in 1997, by Dr Karen Pearlman and Dr Richard James Allen, the Australian-based outfit has focused on dance film. Although their motto is "stories told by the body", Physical TV has an increasing interest in transmedia and mixed reality. It's an exciting proposition.
April 7, 2011, 09:21 AM
https://www.aotg.com/pre-nab-editors-lounge-pt-2/
The March 2011 Editors Lounge editorslounge.com was the 8th year of our annual NAB discussion panel and featured guest speakers Steve Cohen, Terence Curren, Mark Raudonis, Michael Bravin and Lucas Wilson. Debra Kaufman moderated a lively discussion on post-production trends and predictions for NAB 2011.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.