To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Matrox MAX H.264 Capture Ships

March 22, 2011, 07:53 PM

http://blog.digitalcontentproducer.com/briefingroo...

Matrox Video Products today announced that Matrox MAX H.264 Capture is now available. Matrox MAX H.264 Capture is a stand-alone Windows application that lets users capture directly to H.264 files for use on smart phones, iPad, the web, and Blu-ray discs using any Matrox MXO2 product equipped with Matrox MAX technology. Material can be captured from video and audio input on an MXO2 device and simultaneously monitored. Matrox MAX H.264 Capture is quick and easy-to-use with default presets for...

Adobe Reports Record Revenue in Q1 Fiscal 2011

March 22, 2011, 07:52 PM

http://eon.businesswire.com/news/eon/2011032200709...

In the first quarter of fiscal 2011, Adobe achieved record revenue of $1.028 billion, compared to $858.7 million reported for the first quarter of fiscal 2010 and $1.008 billion reported in the fourth quarter of fiscal 2010. This represents 20 percent year-over-year revenue growth. Adobe’s first quarter revenue target range was $1 billion to $1.05 billion.

ProxyMill - the encoder that can encode...

March 22, 2011, 07:52 PM

http://provideocoalition.com/index.php/ssimmons/st...

I don’t do a lot of XDCAM work. Before the Canon revolution it seemed there was a lot more Panasonic HXV200 shooting than XDCAM in my market. But that recently changed as two Sony EX-1 projects came on board. As I was figuring out workflow for the first time I was researching the best way to get the media to ProRes for a Final Cut Pro edit. It seemed it was a two step process: re-wrap the original media to XDCAM .mov files and then convert those to ProRes.

Frustrated? HP Responds

March 22, 2011, 05:23 PM

http://www.larryjordan.biz/app_bin/wordpress/archi...

A few days ago, I wrote about my frustrations in finding archiving solutions that work on the Mac for protecting our video assets. (You can read that blog here — some of the comments are VERY interesting!)

Time lapse video of editing a TV drama

March 22, 2011, 05:21 PM

http://www.joyoffilmediting.com/?p=3526

In case you ever wondered how a 1-hour TV drama gets cut, here’s a time lapse video of a typical 14-day schedule, starting with the first day of dailies. It shows the editor progressing through the editor’s cut, the director’s cut, adding sound and music, and finishing with the network cut.

Getting Familiar with the AJA IO Express

March 22, 2011, 03:07 PM

http://postfifthpictures.com/2011/03/getting-famil...

I got my hands on an AJA IO Express and so far I am loving it. As I have explained before, I decided to go with a the 17 inch MacBook Pro for my home editing system because I usually work in other offices where Mac Pros are provided. The AJA IO Express is a great upgrade for my system. It’s takes it up a step or two in terms of making me feel like I have a complete system on the go or in the office. So far I have used it with Avid Media Composer 5.5...

YoYotta to Introduce YoDailies

March 22, 2011, 03:05 PM

http://www.btlnews.com/crafts/post-production/yoyo...

London-based YoYotta will introduce YoDailies, a new system for creating review reels at NAB 2011 in Las Vegas, April 11-14. YoDailies is a new system for generating dailies with timecode burn-ins and audio syncing for multiple deliverable formats. YoDailies works with digitally acquired source material, as well as scanned film footage. The new application is designed for use both on set and during postproduction.

HD Enables Real-Time Restoration on a SceneXScene

March 22, 2011, 03:04 PM

http://news.creativecow.net/story/865884

(Reading, UK--March 22, 2011) Snell today announced the launch of the new timeline controller feature that adds scene-by-scene restoration control to the company's industry-leading Archangel Ph.C – HD real-time film and video restoration system. The new timeline controller enhances Archangel Ph.C – HD's already highly effective processing capabilities by allowing users to apply processing in real time on a scene-by-scene basis — rather than to all parts of the sequence equally — and to c...

Is this the best free plug-in ever?

March 22, 2011, 03:03 PM

http://provideocoalition.com/index.php/editingpost...

One thing that used to drive me crazy was when a client asked me if I could pull a video off the internet. The short answer I always gave was....."sort of"......or "it depends on what type of video". Well, I don’t say that anymore. With this absolutely free plug-in for both Mac and Windows, this once annoying "problem" now becomes a piece of cake.

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