To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

TAPE and TAPELESS... AND SHOOTING RATIOS

March 21, 2011, 07:11 PM

http://lfhd.net/2011/03/21/tape-tapeless-and-shoot...

I have worked on a couple shows that were shot on film. The shows I worked on were shot on Super 16mm, and it was, and still is, an expensive process. The film stock isn’t cheap (although cheaper than some tape formats), but then you need to add into that the film processing and telecine to tape. And we wouldn’t receive the footage for the day’s shoot until the following day, when we needed time to capture it.

Final Cut, Motion, After Effects Plugin Developer

March 21, 2011, 07:09 PM

http://www.noiseindustries.com/blog/announcements/...

France native, Jean Marc Noel, established Yanobox after two decades of experience as an editor and compositor in professional post-production. He has created videos for high-profile European companies, including France Telecom, Oxbow and EADs, as well as interactive designs for Universal and Sony. Noel is also an instructor of compositing and motion graphics at ECV, the French school of visual communications.

XenData to Showcase Expansion of Its Integrated...

March 21, 2011, 07:07 PM

http://www.digitalproductionbuzz.com/2011/03/21/xe...

Across the media and entertainment industry, the rapid growth of digital, VOD and HD content continue to underscore the need for efficient, reliable and secure archiving and storage solutions. Built on IT standards, XenData will be demonstrating its comprehensive range of integrated archiving and storage solutions designed to meet today’s high-performance demands of the media and entertainment industry.

Videoguys NLE Video Storage FAQ

March 21, 2011, 07:06 PM

http://provideocoalition.com/index.php/VideoGuys/s...

In this article the Videoguys Techs will help you better understand just what kind of storage you’ll need for your video productions. Mac or PC based video editors face the same storage challenges and questions, and we’ve got the straight forward answers you need!

MAXON Computer to Showcase 3D Software NAB Lineup

March 21, 2011, 07:05 PM

http://www.digitalproductionbuzz.com/2011/03/21/ma...

MAXON Computer, developers of professional 3D modeling, painting, animation and rendering solutions, announced details of its presence at the 2011 NAB Show – the premier event for content professionals, taking place April 11th – 14th in Las Vegas. CINEMA 4D, the company’s cornerstone 3D software application, is renowned for its ease of use, quick workflow, fast rendering and unmatched integration into leading compositing applications, providing motion graphics artists, filmmakers, game...

iPad - iMovie App Review

March 21, 2011, 07:05 PM

http://www.macworld.com/appguide/app.html?id=56028...

When Apple released iMovie for the iPhone 4 last year, I felt a palpable sense of longing. I was excited to have a mobile version of iMovie, but a video-editing app seemed ideally suited to work on the iPad’s large screen. I could easily imagine how it would work, and yet it ran only on the iPhone 4 and fourth-generation iPod touch.

Intro Archive Recorder 4 AVC-Intra/DVCPRO Workflow

March 21, 2011, 04:35 PM

http://news.creativecow.net/story/865879

(Fort Lee, New Jersey--March 21, 2011) FOR-A, a leading manufacturer of video and audio systems for the broadcast and professional video industries, will introduce the LTR-120HS video archiving recorder at the 2011 NAB Show in Las Vegas, Nev., April 11-14 (Booth C5219). Using high-quality AVC-Intra/DVCPRO codec and MXF wrapper/un-wrapper, it records MXF files that can be used by a variety of NLE systems to LTO-5 tape.

Western Digital introduces 6TB My Book Studio

March 21, 2011, 01:51 PM

http://www.macvideo.tv/editing/news/?newsid=326616...

Western Digital has introduced the My Book Studio Edition II, a dual-drive storage system with a massive 6TB of storage. The company says that new capacity provides users 33 percent more storage than the previous capacity, while being the same size.

Sam Pemberton to Deliver NAB Paper on Captioning

March 21, 2011, 01:51 PM

http://news.creativecow.net/story/865875

(Pangbourne, England--March 21, 2011) Softel CEO Sam Pemberton will deliver a talk on "Captioning for Next Generation Broadcasting" at the 2011 NAB Broadcast Engineering Conference (BEC) on Sunday, April 10 at 10:30 a.m. The paper will outline the key business challenges of generating new revenue streams and reducing operating costs against the background of transitioning to tapeless, upgrading to HD delivery, exploring multiplatform delivery and rolling out multilanguage feeds — scenarios...

An Exercise in Frustration

March 21, 2011, 11:31 AM

http://www.larryjordan.biz/app_bin/wordpress/archi...

The process of creating films and videos generates LOTS of data. From getting the footage shot, through the editing process, we are dealing with dozens, if not hundreds, of gigabytes of data.

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