It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 26, 2011, 09:02 AM
http://diginmag.com/robert-dalva.php
Robert Dalva is an Academy Award-nominated film editor, as well as a Hollywood cinematographer and director. He has worked on films such as "The Black Stallion (1979)", "The Black Stallion Returns (1983)," "Jumanji (1995)," "October Sky (1999)," "Jurassic Park III (2001)," "Hidalgo (2004)," and "Touching Home" (2008). I caught up with Robert while he was working in Montreal on a new film called "Immortals," which is directed by Tarsem Singh. Robert opened up about working with his long time...
February 26, 2011, 08:52 AM
http://quintessential.posterous.com/in-the-cut-emp...
I'm dedicating this fourth and final part of my review to a few highlights, summations and notes compiled by myself and the person who told me about the event: @EditorLiam. Liam's "notes" will be in the form of tweets, with his permission, which he sent out during the event. In case you're wondering, yes, I have taken different approaches to writing each of these four parts of my review.
February 25, 2011, 06:23 PM
http://library.creativecow.net/mize_rob/AE_graphs_...
In Part 2 of Graphs and Charts in After Effects, Rob Mize shows how to use particles (both Trapcode Particular and Particle World) to expand your creative options when generating and animating Bar Graphs, Line Graphs and Pie Charts in 3D space.
February 25, 2011, 06:22 PM
http://charlesheureaux.com/2011/02/25/how-to-after...
Continuing last weeks tutorial, today’s video will highlight animating inside a 3D space. Now most of what you will learn are branches of basic animation techniques in the previous tutorial. Also I’d like to mention, I am testing the waters with a video I put inside the tutorial. It is a special 40 second video that hypes up the tutorial even more than it should be. This is all in good fun and I’d like to know what you all think about both the tutorial and special video.
February 25, 2011, 06:21 PM
http://blogs.creativecow.net/blog/4323/ki-pro-mini...
We decided that today (Feb 24) would be a good day to shoot some test footage with our recently required Ki Pro Mini. The weather is clear, cold and windy. Okay, cold for us on the west coast but for anyone visiting it's just cool-ish. We went back to the same spot to shoot that we used when I bought my first EX1 back in January 2008.
February 25, 2011, 06:19 PM
http://www.videoguys.com/Blog/PL/0xecfe5ccb66e5ada...
February 25, 2011, 03:08 PM
http://nofilmschool.com/2011/02/apple-final-cut-pr...
Apple (finally) demonstrated the new version of Final Cut Pro to industry insiders this week, and because everyone who saw it is under a Non Disclosure Agreement, we won’t be hearing any details about it soon (until sometime around NAB, I’m guessing — though Apple is not listed as an exhibitor, they will likely stage their own event). Without going into specifics, however, the new FCP is being called "the biggest overhaul to Final Cut Pro since the original version was created over 10 year...
February 25, 2011, 03:07 PM
http://www.videoguys.com/Blog/PL/0x2c39a7b1ab33583...
When talking software I think of new versions in two ways: updates and upgrades. Updates are more like the smaller "dot" releases that take a piece of software from version 2.0 to 2.0.1 or 2.1. Then there’s upgrades that move a full version from 2.0 to 3.0. Somewhere in between there’s upgradey-updates that move from, say, 5.0 to 5.5. Plus there’s the determining factor of what major features are added. The more and bigger they are, the more likely the release can be thought of as an upgra...
February 25, 2011, 03:06 PM
http://www.cutaway.co.za/post/3505299130/cutting-t...
The series is about 4 female friends and their lives. What is great about the series is that it is not social realism - even though it deals with heavy issues it is set in a glamorous reality. The series was directed by Amanda Lane, Catharine Cooke, Robyn Aronstam, Nonny Malete. What was so great is that other than Amanda, all these directors where first time directors.
February 25, 2011, 12:45 PM
http://provideocoalition.com/index.php/ssimmons/st...
Today we have two Avid Media Composer Quicktips that come to us from Ra-ey Saleh, a Symphony Online Editor working in Sydney. There’s two tips here, one for the ever popular Avid Paint effect and one great tip for playing back the edit while in Color Correction mode.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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