It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2011, 02:49 PM
http://provideocoalition.com/index.php/ssimmons/st...
This Reader Quicktip is from Jack Jones, a colorist (or colourist I guess I should say) working out of London who passes along a simple but handy Quicktip for Avid Media Composer. It involves remapping the up and down arrow keys on a keyboard. This matches a Final Cut Pro behavior but it is more useful as a default Media Composer keyboard configuration for the up and down arrows keys IMHO. I’ve done the same thing for as long as I can remember.
February 10, 2011, 11:03 AM
http://provideocoalition.com/index.php/news/story/...
February 10, 2011, 10:01 AM
http://blackmagic-design.com/press/detail.asp?pres...
Milpitas, CA – February 10, 2011 - Blackmagic Design would like to congratulate "Alice in Wonderland", "The Fighter", "The Kids Are Alright" and "Hereafter" on their 2011 Oscar nominations, awarded by the American Academy of Motion Picture Arts and Sciences. Blackmagic Design is proud to announce that the color correction for all of these films was done on Blackmagic Design’s DaVinci Resolve non-linear color correction system.
February 10, 2011, 09:46 AM
http://incontention.com/2011/01/06/tech-support-in...
One of the immediately striking things about Aaron Sorkin’s screenplay for "The Social Network" is its assemblage, the manner in which he chose to tell the story with cascading elements of the narrative. And when you bring on a meticulous craftsman like David Fincher to direct a film already detailed in its larval stage, you can bet that the attention to each moving part and how it fits into the whole will be amplified.
February 10, 2011, 09:45 AM
http://normanhollyn.com/2010/12/20/advice-from-the...
Deadline Magazine gets mailed to me because the studios take out ridiculous "For Your Consideration" ads and my membership in both the Academy and A.C.E. makes me desirable — at least for eight weeks or so every year. I like reading some of the articles, especially because they do interviews with people who they consider Oscar contenders — every issue focuses on a different category.
February 10, 2011, 09:42 AM
http://wordpress.quintessentialstudios.net/?p=32
American Cinema Editors (ACE or A.C.E. as you see after some editor’s credits) the honorary society of motion picture editors, puts on an annual event every pre-Oscar Sunday Saturday, the Invisible Art Visible Artist Seminar. This event is a free event but it’s a first-come-first-seated event.
February 10, 2011, 09:35 AM
http://blogs.creativecow.net/blog/4230/free-adobe-...
February 10, 2011, 09:32 AM
http://www.btlnews.com/awards/contender--editor-an...
February 9, 2011, 10:44 PM
http://www.studiodaily.com/blog/?p=5638
One relatively common though quite cool visual effect you might see floating around is the filmic-style grunge, scratches, edge fog and light leaks. These looks are often used for transitions or just as a stylistic treatment over footage. It’s ironic that in these days of pure, clean, digital acquisition we still want to mimic that old film style.
February 9, 2011, 10:43 PM
http://provideocoalition.com/index.php/cmg_blogs/s...
Ever watch someone use (or even worse, demonstrate) a piece of software, and think to yourself "wait a minute - that’s not how you should do that..."? Then Rob Imbs of Lovely Junkie has a video for you. Rob has compiled what is no doubt years of hard-won Final Cut experience and "knowledge" into one tip-laden video of just about everything a beginner can do wrong.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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