It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 8, 2011, 08:29 PM
http://bridgethink.org/blog/2010/03/18/podcast-wit...
February 8, 2011, 03:50 PM
http://www.facebook.com/home.php#!/event.php?eid=1...
SAGE UPGRADES presents: Digital Workflows Tracey Williams (Director of Post-Production, Refinery) will take us through the Digital Workflows of getting a film onto the big screen in digital format or 35mm print. Cost: - Students [R30,00] - SAGE members [R50,00] - Affiliates [R80,00] - R100,00 at the door Banking details: - ABSA Melville branch - South African Guild of Editors - Acc. # 4056302496 Please RSVP with your name & the workshop date to secure your place.
February 8, 2011, 12:18 PM
http://www.btlnews.com/awards/ace-honors-michael-b...
American Cinema Editors (ACE) will honor veteran editors Michael Brown, A.C.E. and Michael Kahn, A.C.E. with the organization’s prestigious Lifetime Career Achievement Award at the 61st Annual ACE Eddie Awards, Feb. 19 in the International Ballroom of the Beverly Hilton Hotel. The Lifetime Career Achievement Award honors veteran editors whose body of work and reputation within the industry is outstanding.
February 8, 2011, 10:47 AM
http://bourkepr.typepad.com/my_weblog/2011/02/irid...
Since 1998, TRIXTER has been creating outstanding visual effects and digital character animation for feature films, television and commercials. From the early days, TRIXTER established itself as a major player in the field of emotive character animation, both for fully computer generated animated features as well as live-action productions. In the past few years, TRIXTER has been broadening their expertise into visual effects and...
February 8, 2011, 09:29 AM
http://www.postmagazine.com/Publications/Post-Maga...
"Steven was looking for an editor after Jaws," recalls film editor Michael Kahn, as to how his creative partnership started 34 years ago with moviemaker Steven Spielberg. "[Irvin] Kershner and Owen Roizman, the DP, recommended me to Steven. Steven had probably talked to every editor in town by then, but he talked to me. It was a short visit, but it worked out well. He called me and I was on Close Encounters [ of the Third Kind]."
February 8, 2011, 09:28 AM
http://jeffvlog.wordpress.com/2011/02/08/larry-jor...
Here’s a large list of free FCP articles written by Larry Jordan, a pro in the industry. Click on the logo link below for a more expanded list of his articles, including...
February 8, 2011, 09:25 AM
http://www.postmagazine.com/Publications/Post-Maga...
February 7, 2011, 10:32 PM
http://community.avid.com/blogs/buzz/archive/2011/...
In a video interview on the snow-lined streets in Park City, Utah, at Sundance 2011, Eric Kissack shares with Indie Slate readers his experience editing the film Cedar Rapids. Available on the Indie Slate magazine website, Eric offers tips to fellow editors:
February 7, 2011, 09:04 PM
http://www.boxofficemagazine.com/articles/2011-01-...
Last week, Boxoffice offered an editorial rebuttal to Roger Ebert's publication of a letter from Oscar-winning editor and sound designer Walter Murch about "why 3D doesn't work and never will." On Saturday, James Cameron, executive producer of the new movie Sanctum, said that Murch and Ebert's objections were not only purely subjective to their 3D viewing experience, but largely unfounded scientifically. "I think that argument is 180 degrees going the wrong direction," Cameron told Boxoffice...
February 7, 2011, 05:34 PM
Tuesday February 15, 2011 Meeting Agenda 6:30 Pizza & Networking reception 7:00 – 7:15 - general Q and A 7:15 - 8:00 - JVC 8:00-8:15 - Break 8:15-8:20 - RAFFLE! Prizes include plugin's from Noise Industry, CoreMelt and JVC 8:20-9:00 - JVC 9:00-9:30 - Networking/Q and A As usual we meet in the Rogers Communication Centre, Ryerson University, 80 Gould Street, in RCC-359A - Toronto. All are welcome and feel free to bring a friend.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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