To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Umbrella Academy‘s Emmy-nominated VFX supe E

July 25, 2019, 09:06 AM

https://postperspective.com/the-umbrella-academys-...

By Iain Blair If all ambitious TV shows with a ton of visual effects aspire to be cinematic, then Netflix’s The Umbrella Academy has to be the gold standard. The acclaimed sci-fi, superhero, adventure mash-up was just Emmy-nominated for its season-ending episode “The White Violin,” which showcased a full range of spectacular VFX. Continue reading → July 25, 2019 The post The Umbrella Academy‘s Emmy-nominated VFX supe Everett Burrell appeared first on postPerspective.

Alita - Battle Angel VFX Breakdown

July 25, 2019, 09:06 AM

https://www.artofvfx.com/alita-battle-angel-vfx-br...

Come have a look at the work of DNEG on ALITA – BATTLE ANGEL...

Far From Home VFX Supervisor Interview

July 24, 2019, 12:13 PM

https://www.artofvfx.com/spider-man-far-from-home-...

Jörn Großhans started his career in visual effects in 2004. He worked at Pixomondo and Mackevision before joining Image Engine in 2018. He has worked on numerous shows such as SUCKER PUNCH, HUGO, THE SHANNARA CHRONICLES and GAME OF THRONES.

GoT VFX Breakdown for Season 8

July 24, 2019, 05:48 AM

https://www.artofvfx.com/game-of-thrones-season-8-...

If you like Dragons and massive destructions, be sure to watch this VFX Breakdown by Scanline VFX about their work on the eight season of GAME OF THRONES...

A VFX oral history of Samuel L. Jackson's shocking

July 24, 2019, 05:48 AM

https://beforesandafters.com/2019/07/24/deep-blue-...

As on-screen deaths go, Samuel L. Jackson’s sudden mid-film send-off in Renny Harlin’s shark sci-fi horror Deep Blue Sea is an absolute killer (and Jackson has had a few).

Red Giant Celebrates Summer with 40% Off

July 23, 2019, 11:00 AM

https://www.aotg.com/red-giant-celebrates-summer-with-40-off/

On July 30, 2019 for 24 hours only, redgiant.com shoppers can save 40% on Red Giant products including the all-new VFX Suite

#red giant#sale#summer sale
VFX Super for Far From Home Interview

July 23, 2019, 09:30 AM

https://www.artofvfx.com/spider-man-far-from-home-...

Julius Lechner began his career in visual effects a decade ago. He has worked in many studios such as Pixomondo, Industrial Light & Magic and Scanline VFX. He has worked on many films like IRON MAN 3, TEENAGE MUTANT NINJA TURTLES, JUSTICE LEAGUE and AQUAMAN.

Stranger Things 3’s Mind Flayer was played by a

July 23, 2019, 05:43 AM

https://beforesandafters.com/2019/07/23/stranger-t...

The creature effects in the Duffer Brothers’ Stranger Things 3 hit new levels this season, with several incarnations of an otherworldly monster brought to life in CG by the Netflix show’s visual effects crew.

‘Lion King’ VFX Supervisor Rob Legato Among Vi

July 19, 2019, 06:15 AM

https://variety.com/2019/biz/news/lion-king-vfx-ro...

Rob Legato, VFX supervisor for "The Lion King" and "The Addams Family" co-director Conrad Vernon added to View Conference speakers.

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