To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Alpha Channels : Creative COW : Photoshop Tutorial

January 7, 2011, 11:03 AM

http://blogs.creativecow.net/blog/4059/alpha-chann...

In the Photoshop tutorial from Creative COW, you'll learn how to make an alpha channel based upon the luminance in an image. Alpha channels allow you to store transparency in a graphic. This is part of a series of Photoshop tutorials from www.creativecow.net. Be sure to check out my two Photoshop books – Photoshop for Video and Understanding Adobe Photoshop CS5.

Creating a Custom Sequence 2: The Magic Bullet

January 7, 2011, 11:00 AM

http://library.creativecow.net/devis_andrew/Creati...

In the second part of this Premiere Pro CS5+ tutorial series Andrew Devis shows how to create a new sequence which will exactly match your footage even if you have no idea what size, frame rate or pixel aspect ratio (PAR) it may be. With the use of a single drag and drop action a new sequence that matches your footage precisely can be created.

Revisiting My Friend F13

January 6, 2011, 01:17 PM

http://provideocoalition.com/index.php/ssimmons/st...

While working on a job this week I had tons of shots to log and organize. While doing this I realized how much I was pasting the same words over and over and over and over. No problem, I mapped my floating keyboard key F13 to paste. That meant I didn’t have to keep hitting the two key combination of command + v over and over again. You wouldn’t think it would make that much difference but it does. It reminded me of an old 2008 Editblog post: My Friend F13.

Tenth Annual FCPUG San Francisco SuperMeet

January 6, 2011, 10:52 AM

http://supermeetsf11-esli.eventbrite.com/

Friday, January 28, 2011 from 4:00 PM - 11:00 PM (PT)

Interview with Glee Editor Joe Leonard Pt. 2

January 6, 2011, 10:50 AM

https://www.aotg.com/interview-with-glee-editor-joe-leonard-pt-2/

Part two of my interview with Joe Leonard, editor of Glee and director of How I Got Lost.

My Best Product for 2010

January 6, 2011, 09:35 AM

http://www.macvideo.tv/blogs/index.cfm?entryid=325...

Put simply, Plural Eyes syncs up your rushes for you: you can use it to sync up mulitple cameras or sync a main camera to audio which has been recoded separately. Using the camera mic. as a guide track you can sync up wild sound to picture much easier than it ever was in the days in Nagras and mag-tape.

Chinese New Year

January 6, 2011, 09:33 AM

http://www.joyoffilmediting.com/?p=3330

"Gong xi, gong xi" (yay, congrats) as my Taiwan-born friend wrote me. Michael Wiese Productions, my publisher, has informed me that, after months of negotiating, Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know will be translated into Mandarin. In the next 12-18 months I will have the translation in my hot little hands.

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