It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 6, 2011, 09:29 AM
http://www.macvideo.tv/editing/news/?newsid=325541...
USB has become the I/O method of choice for most users, thanks to the many creative ways it has been adapted (and it has become a terrifying security risk for network managers thanks to the creative way it has been used in threats like the Stuxnet worm). At CES the USB-IF organisation will demo an incredibly large number of new manufacturers who have rolled out SuperSpeed USB applications and devices since the specification was launched about a year ago at the 2010 CES. SuperSpeed USB.
January 6, 2011, 09:28 AM
http://blog.devoncroft.com/2011/01/05/digital-visi...
Post production solution provider Digital Vision has entered into an agreement to buy Image Systems, a specialist provider of image processing and motion analysis, in a cash and stock deal valued at approximately $7.2m. The $7.2m purchase price represents a multiple of 1.22x Image Systems revenue of approximately $5.9m. Digital Vision is funding the deal with about $3.6m in cash, with the balance being comprised of 344 million new shares of stock, also valued at around $3.6m.
January 5, 2011, 03:28 PM
http://www.studiodaily.com/main/news/12836.html
The acquisition increases Digital Vision's stronghold in the post production and restoration markets while creating new opportunities for growth with complementary products, distribution and vertical markets currently serviced by Image Systems. The acquisition is subject to approval at an additional shareholder meeting.
January 5, 2011, 03:28 PM
http://digitalcontentproducer.com/videoedsys/revfe...
As you know, the topic of this column is Final Cut Pro Insider, but every once in a while, I stretch the envelope and go off on a slight tangent. This month is one of those times, where I’m going to look at the video recording capabilities of my new iPod touch and video editing on the iPod with iMovie.
January 5, 2011, 11:01 AM
http://awesomesauce-du-jour.blogspot.com/2011/01/p...
Pacman's timeline in FCP.
January 5, 2011, 10:31 AM
http://www.philiphodgetts.com/2011/01/why-are-we-a...
There seems to be a constant panic among Final Cut Studio users that Apple is "going to abandon professional video" because it isn’t the first thing that Apple talks about at every press conference or event. But it shouldn’t be. Pro Apps are a relatively small – but highly profitable – division within Apple. True the focus is on iOS devices, which turns out to be a great thing for professional video because...
January 5, 2011, 10:29 AM
http://lfhd.net/2011/01/02/colorista-2-feel-the-po...
When I first started color correcting in FCP I used the built in 3-way color corrector. When it first was introduced in FCP 3, it is what first drew me to FCP. And I have been able to do quite a bit with it. But when Magic Bullet Colorista by Red Giant Software came out, and I was able to push the colors further than the 3-way...take things more to the extreme. And lately, while I have been glued to COLOR, there are many instances...
January 5, 2011, 10:27 AM
http://cutlertv.wordpress.com/2011/01/05/useful-to...
Here are a few more of the tools I use all the time. Please do comment any of your own tips..
January 4, 2011, 03:33 PM
http://library.creativecow.net/harrington_richard/...
In this Premiere Pro video tutorial, Richard Harrington shows how to use the Fast Color Effect to fix color fast.
January 4, 2011, 03:30 PM
http://www.btlnews.com/community/successful-workfl...
Cinema Audio Society president, Edward L. Moskowitz, announced the next Cinema Audio Society Seminar. "This year our Digital Gameplan Seminar is continuing to demonstrate our goal of dedication to the advancement of sound by discussing digital workflow rules and procedures for navigating the digital highway. This seminar stands in the tradition of previous standing-room only cutting edge seminars the CAS has conducted in previous years and CAS board member John Coffey has created what will...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.