It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 26, 2010, 10:35 AM
http://blogs.creativecow.net/blog/3977/dslr-frame-...
In this DSLR podcast Robbie Carman and Richard Harrington discuss the various frame rates available on today's DSLR Cameras such as the Canon 7D. Learn what rates to use for proper film looks, slow motion and other special effects, PAL or NTSC.
December 24, 2010, 10:16 AM
http://www.vierundzwanzig.de/schnitt/interview_mit...
Mathilde Bonnefoy was born in 1972 in Paris. After school she studied philosophy, but in 1991 broke the study down to move to Berlin. From 1995 she worked as an editor of music videos, among other things, Rammstein and Udo Lindenberg. As an assistant editor for Wolfgang Becker's THE LIFE IS she met Tom Tykwer. For him, they cut LOLA RUN, THE PRINCESS AND THE WARRIOR, HEAVEN, and THE TRUE INTERNATIONAL. RUN LOLA RUN was her debut as feature film section (Note Select the english version video)
December 24, 2010, 10:06 AM
https://www.aotg.com/run-lola-run-editor-interviewed-in-french/
The editor of Run Lola Run, Mathilde Bonnefoy, discusses her work on Run Lola Run. It is, in French, so for those who can speak the language, please enjoy.
December 24, 2010, 09:40 AM
http://provideocoalition.com/index.php/cmg_keyfram...
As 2010 winds down, we’d like to share with you some of the best of the over 1000 articles, reviews, news items, and blog posts that have been published on PVC this year, as selected by both the writers and myself as editorial director. (We’ll also slip in some new stuff.) Once everyone clears their head from the fog of the holidays, we look forward to even better 2011, including the addition of new writers such as ...
December 23, 2010, 08:19 PM
http://avidscreencast.com/2010/12/52-let-it-snow/
It’s almost Christmas and I did the Santa last year. What’s left? Snow! So this week, we’re going to add snow to an image and we’ll use a couple of advanced options to make it look ab bit more real (or a bit less fake, depending on your perspective). I want to wish you all a very merry Christmas or happy holidays or whatever you celebrate! Have a good time, appreciate your family...
December 23, 2010, 11:47 AM
http://digitalfilms.wordpress.com/2006/12/16/zodia...
Like Fincher, editor Angus Wall is not your typical film editor either. In 1992 Wall and Linda Carlson founded Rock Paper Scissors – a respected West Hollywood creative editorial house known for its commercial work for such clients as BMW, HP and Nike – and later in 1997, visual effects house A52. Angus Wall took some time out of finalizing the trailers for Zodiac to discuss the post on the film with me, as well as his collaboration with Fincher.
December 23, 2010, 11:45 AM
http://sfctoday.com/news/88-a-precious-interview-w...
Brooklyn-based film editor Joe Klotz sat down with two SFC Today reporters to talk about his 30-year career in film, music and television -- and his role as editor on the six times Oscar-nominated film Precious. Joe_Klotz Brooklyn-based film editor Joe Klotz's advice to young filmmakers: "Just do it, practice it ... make mistakes." The movie is based on the 1996 novel Push by author Sapphire.
December 22, 2010, 01:04 PM
http://www.studiodaily.com/main/news/12813.html
December 22, 2010, 09:29 AM
https://www.aotg.com/cutting-room-interview-with-glee-editor-j-leonard/
Part one of my interview with Joe Leonard, editor of Glee and director of the acclaimed movie, How I Got Lost.
December 22, 2010, 09:26 AM
http://www.elskid.com/blog/interview-with-the-bigg...
Contrary to what you might believe I actually hate being in front of the camera. I’m not entirely sure why but I squirm badly. It’s possibly because I’m so aware of what the person on the other side of it is doing and, how they’re doing it, that I can’t stand it. Jan Bednarz and I were recently interviewed for the Bigger Pitcher, a new website bringing together all the filmmaking comps, pitching opportunities and other titbits for UK filmmakers. We talk about the opportunities for youn...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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