It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 25, 2010, 11:06 AM
http://jeffvlog.wordpress.com/2010/11/25/improve-y...
Learn to better leverage your Boris skills with The Art of Motion Graphics; this video demonstrates the core concepts that every video editor should know about good motion graphic design. You’ll understand how to manipulate color and space to make your motion graphics smooth and sharp, how theme and variation affect the mood of your graphics, and how you can use these tricks to enhance your video.
November 25, 2010, 11:01 AM
http://www.fxguide.com/qt/3199
After the markets had closed on the eve of the USA Thanksgiving weekend, the LA Times reports that "Deluxe Entertainment Services Group said Wednesday it has reached an agreement to acquire the bulk of Ascent Media Group, the Santa Monica-based postproduction company, for $68 million".
November 25, 2010, 10:59 AM
http://www.studiodaily.com/main/technique/tproject...
When it comes to top-quality post-production work, high-end toolsets are becoming more affordable to boutique users. That trend helped DI colorist Micah Kirz start his own New York company, Out of the Blue, with executive producer Steve Bodner this summer.
November 25, 2010, 10:54 AM
http://www.elskid.com/blog/timeline-tips-for-fcp
I’m currently bang in the middle of a one of my patented speed edits. Smash through a ridiculous amount of work but do it against the clock. I set myself a time limit for each sequence I have to cut. Some will come in under time, some will come in over but my average speed should be pretty much bang on, but it means being really on it in terms of efficiency in Final Cut. So here’s a video that explains some of the little time-saving commands I use to speed up the process and insure ...
November 25, 2010, 10:51 AM
http://provideocoalition.com/index.php/ssimmons/st...
Avid released Media Composer 5 to some big changes and one of those changes that wasn’t so big (but did cause some discussion and frustration amongst longtime users) was exactly how you are able to change the color of clips in a bin.
November 24, 2010, 06:13 PM
http://www.freshdv.com/2010/11/interview-stephen-h...
Here is a 35-minute interview with Stephen Hens, Creative Director of Santa Monica-based Chophouse Edit, about their RED workflow in Final Cut Studio on a PSA project with actor Pierce Brosnan. Stephen and I discuss in-depth how they approached the project from a pre-production and post-production perspective. It’s a really interesting discussion, and we hope you enjoy it, and perhaps learn something along the way.
November 24, 2010, 06:05 PM
http://splicenow.com/2010/11/24/conforming-headach...
Steve Cohen on the annoying problems with conforming: The dirty little secret of our new file-based workflows is that despite the many advances we’ve seen, conforming is still a pain in the butt. Why? Because no conforming system can fully conform Avid effects. Sure, cuts and dissolves can be handled easily, but more often than not, effects work has to be painstakingly rebuilt by eye. That seems downright crazy to me — in the wonderful, all-digital, file-based workflow of the future ...
November 24, 2010, 10:28 AM
http://digitalcontentproducer.com/videoedsys/revfe...
Will FireWire die now that USB 3.0 delivers? Most of us don't worry about the time it takes to do a single file transfer, such as reading in a backup file from an attached drive. Running over a standard USB 2.0—a common connection for backup drives—you'll get anywhere from 14MBps to 40MBps transfer speeds.
November 24, 2010, 10:24 AM
http://www.geniusdv.com/news_and_tutorials/2010/11...
You can use Avid's Animatte and Paint features to do some incredible things. Here's a quick tutorial on how to create tracking masks that can be used for color correction purposes.
November 24, 2010, 07:52 AM
http://www.studiodaily.com/studiomonthly/currentis...
Originally developed in 1999, Digieffects' award-winning Delirium is used by tens of thousands of video professionals worldwide. This is the plug-in collection that established the standard for essential visual effects and motion graphics capabilities.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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