To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
James Manche ASE interview by Deborah Peart
November 22, 2010, 08:41 AM
http://www.screeneditors.com/cms/documents/Transcr...
James Manche ASE is the editor of Australia's highly popular TV shows 'All Saints' and 'Packed to the Rafters'. "Editing is a whole lot of things you’ve got to think about all at once and that’s really what the craft is. There’s a whole lot of layers of storytelling, narrative, emotion, thinking about peoples perception of the geography of the situation, the relationships between people, there’s all sorts of things to think about and the craft of it is to nail it and bring all those thin...
Using RED Footage Proxies in After Effects
November 22, 2010, 08:34 AM
http://provideocoalition.com/index.php/cmg_keyfram...
Take advantage of those auto-generated low-resolution proxy files to speed up your work before rendering.
Avid Vs. Final Cut
November 21, 2010, 10:20 PM
https://www.aotg.com/avid-vs-final-cut-2/
An Xtranormal Video about editing platforms.
Avid and RED team up for a RED workflow webinar
November 21, 2010, 11:48 AM
http://provideocoalition.com/index.php/ssimmons/st...
You can never have enough info in the brain about RED workflow. It looks like Avid and RED are teaming up for a webinar. The date is Thursday, December 2, 2010 at 11:00 am pacific and it looks to be free. The folks presenting are notable and make this event worth watching. From RED there is scheduled to be Ted Schilowitz and Deanan DaSilva.
Splice Here Becomes Splice Now
November 21, 2010, 11:44 AM
http://splicenow.com/2010/11/20/splice-here-become...
Today, the Splice Here blog officially becomes Splice Now.
Final Cut Pro - Find the Missing Playhead
November 21, 2010, 11:36 AM
http://www.larryjordan.biz/tips/tip258.html
The playhead doesn't play hide-and-seek. Sometimes, it just gets lost.
Editing a Pop Promo
November 20, 2010, 03:25 PM
http://outsandins.wordpress.com/2010/11/20/editing...
The AE Color Space
November 20, 2010, 01:35 PM
http://library.creativecow.net/devis_andrew/Assign...
"You spend a lot of time making sure your project looks just right, but if you don't embed a colour profile into your final output, then you have no control over how that precious project will look on other machines and devices! In this After Effects video tutorial, Andrew Devis explains how this works and shows how to set up a colour profile for your project; and then how to embed it into your output so that you can be sure all your hard work will be properly represented on other devices."
Twixtor v. FCP Speed
November 20, 2010, 01:06 PM
http://www.dcfcpug.org/2009/11/22/twixtor-v-fcp-sp...
A brief comparison of how Twixtor FxPlug and FCP’s own Speed tool handle extreme slow-motion.
Final Cut Pro - Scrubbing the Playhead
November 20, 2010, 12:40 PM
http://www.larryjordan.biz/tips/tip257.html
Here’s a fast way to scroll the Playhead in the Timeline, Viewer, or Canvas.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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