It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 11, 2010, 10:46 AM
http://www.studiodaily.com/main/news/12622.html
Boris FX, the leading developer of integrated effects technology for video and film, today announced the immediate availability of Boris Continuum Complete 7 for Sony Vegas Pro (BCC 7 for Vegas Pro). Based on the Open Effects Assocation (OFX) platform, BCC 7 for Vegas Pro gives Sony editors a comprehensive collection of over 140 visual effects plug-ins. Customizable presets allow editors to quickly create high-end effects with no learning curve. Effects can be selectively applied via channel...
October 11, 2010, 10:45 AM
http://www.studiodaily.com/main/news/12623.html
Lightworks, the world's leading supplier of rendering solutions for developers of advanced 3D computer graphics software, is pleased to announce the release of Lightworks Author 2011, which adds additional functionality to their range of rendering technology.
October 10, 2010, 11:39 PM
http://www.macworld.com/article/154470/2010/10/fin...
Headlines bemoaning the possible delay and dismemberment of Apple's Final Cut Studio are becoming a mainstay of the Mac press. Which would be fine, if there was any substance to the story.
October 10, 2010, 08:23 AM
http://www.studiodaily.com/filmandvideo/currentiss...
The big-budget thriller is enjoying something of a renaissance lately — lots of people are excited by blockbuster action pictures like Transformers and Live Free or Die Hard, but the arrival of a newer, grittier James Bond last year in Casino Royale was a development that was greeted with critical and public acclaim alike. And while the trilogy of Jason Bourne movies that began with 2002's The Bourne Identity (and which arguably influenced the new direction of the Bond franchise) has been...
October 9, 2010, 12:28 PM
https://www.aotg.com/michael-barenbaum-interview-at-sxsw/
Paul Terry Walhus of AustinCast.com interviews Michael Barenbaum. Michael is a Film Editor, his latest movie is the Marconi Brothers about two rug sales men. Shot on 35 mm film and edited on Final Cut Pro. Debuted at SXSW 20008.
October 9, 2010, 12:14 PM
http://www.larryjordan.biz/tips/tip215.html
The problem with any video codec is that it is a lossy codec. That is, it loses quality whenever you record something with it. Most of the time, that loss is not a problem. But sometimes you want to store your materials for a long period of time. For instance, you want to store historical footage from the 1930's. In this case, maintaining image quality with a format that is non-proprietary is critical.
October 9, 2010, 12:13 PM
https://www.aotg.com/guy-maddin-talks-about-his-editing-style/
This is a clip from the Media Funhouse interview of Guy Maddin, which took place in May 2007 during the NYC run of "Brand Upon the Brain!" as a live theatrical experience (the film was shown at the Village East for one week's worth of screenings with a live mini-orchestra, Foley artists, a castrato singer, and a live celebrity narrator). The mention of Lou Reed refers to Reed's having narrated the film the night before this interview was shot. Maddin offers here his reflection on his work...
October 8, 2010, 08:01 PM
http://www.philiphodgetts.com/2010/10/why-isnt-sat...
This week I had an unplanned trip to Boston to fill in at the Boston FCP User Group meeting for Rich Harrington who'd suffered a back problem and wasn't able to travel. I travelled American Airlines instead of my normal choice, JetBlue.
October 8, 2010, 04:01 PM
http://www.artoftheguillotine.com/assocvideo.php
Australian Screen Editors presents "Demystifying Codecs", a seminar on video codecs by Chris Reynolds. This is part 4 of 12. Topics covered in this part include: Encoding, Compression, Dimesions, MPEG1, MPEG2, Windows Media, H264, Flip4Mac.
October 8, 2010, 03:49 PM
http://provideocoalition.com/index.php/ssimmons/st...
Quite a few months ago I had a long conversation with editor Mitch Jacobson about multicam editing. The point of this conversation was to, hopefully, provide some good information on multicam editing for what was then his upcoming book about the topic. That book has finally gone into print and I picked up a copy not long ago and began reading it. Besides the much appreciated contributing writer...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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