To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making the Majestic Sound of ‘Dune’ — with Ron Bartlett, Doug Hemphill & more:

November 4, 2021, 03:56 AM

https://www.asoundeffect.com/dune-film-sound/

Dune re-recording mixers Ron Bartlett and Doug Hemphill talk tough mixing decisions while blending the music and sound design, handling transitions from massive action sequences into the subjective moments of Paul’s visions, using the Dolby Atmos surround space to bring out details in chaotic scenes like the Ornithopter ride through a giant sandstorm, and much more! Also includes bonus interviews with Denis Villeneuve, Hans Zimmer, Mark Mangini, Theo Green and Dave Whitehead:

#dune#dune sound design#dune sound effects#dune film sound
Audio Post: The Scary Soundscapes of Halloween Kills

October 29, 2021, 08:52 AM

https://postperspective.com/the-scary-soundscapes-...

By Patrick Birk Michael Myers is back in the new film Halloween Kills, directed by David Gordon Green, who also helmed the 2018 Halloween film. The latest addition to the Halloween film franchise, which began with director John Carpenter’s original scare-fest in 1978, once again stars Jamie Lee Curtis as Laurie Strode. Continue reading → October 28, 2021 The post Audio Post: The Scary Soundscapes of Halloween Kills appeared first on postPerspective.

Video isn't video without sound

October 28, 2021, 09:36 AM

https://www.redsharknews.com/audio/item/4089-video...

Replay: If you know any camera people or videographers, you might want to forward this to them along with the admonition that video is only half the equation for a full production.

Sandworm noise from Dune created by a sound engine

October 27, 2021, 08:39 AM

https://mixmag.net/read/dune-sound-engineer-microp...

The sound made by the sandworm in the new movie Dune when it swallows a spice harvesting machine whole was made by a sound engineer sucking wind with a microphone in his mouth.

177 – The Sound of Dune

October 26, 2021, 08:55 AM

https://tonebenderspodcast.com/177-the-sound-of-du...

We are joined by Mark Mangini, Theo Green and Dave Whitehead to talk about their work on the new Denis Villeneuve film, DUNE. They talk…

Composer Adrian Nicholas Valdez relies on KRK for soundtrack monitoring

October 20, 2021, 08:36 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

MIAMI — Peruvian musician and composer Adrian Nicholas Valdez (https://www.anvmusic.com) has helped a number of motion pictures and video games promote their latest releases. Valdez comes from a hard rock guitar background, and has contributed to trailers for Mulan,  X-Men: Dark Phoenix,  Ozark,  The Handmaid’s Tale and  Call of Duty, among many others.

Why Hollywood loves this creepy bird call

October 16, 2021, 11:32 AM

https://www.youtube.com/watch?v=DVFBUIGfcJk

Once you hear it, you can’t unhear it. Sorry!

Why knowing the difference between silence and ambience is so important for audio

October 7, 2021, 08:48 AM

https://www.redsharknews.com/audio/item/5092-why-k...

Replay: We are never truly in a silent world. Knowing the difference between silence and ambience could make or break your soundtrack.

174 – The Sound of Fathom with Brad Engleking

September 29, 2021, 08:47 AM

https://tonebenderspodcast.com/174-the-sound-of-fa...

Brad Engleking tells us about working on the sound for the amazing documentary, Fathom. The film is about scientists that are recording humpback whale calls…

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