It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 10, 2021, 09:20 AM
https://www.provideocoalition.com/zoom-podtrak-p4-...
I have been very vocal about the lack of 48 kHz audio sampling frequency in the Zoom PodTrack P4 (and PodTrak P8), since their current lack of 48 kHz recording has effectively disqualified them from the professional video/television production world (or even to promote an audio-only show for television —without going through hoops and potential [...]Read More... from Zoom PodTrak P4 48 kHz—mission possible? 3 workarounds until Zoom updates it
December 10, 2021, 08:57 AM
https://www.cined.com/sound-devices-4-plugin-for-8...
December 9, 2021, 09:01 AM
https://postperspective.com/galsngear-and-nab-anno...
GalsNGear and NAB will be co-hosting Level Up, a virtual two-day career accelerator for women leaders in media and entertainment. The event will be held on December 15 and 16. The event targets women in pivotal positions across the streaming media, broadcast, film, technology and content production spheres who are reevaluating their career goals and questioning what’s next for the media and entertainment industry in 2022 and beyond. Continue reading → December 8, 2021 The post GalsNGear, NAB...
December 9, 2021, 09:01 AM
https://www.pro-tools-expert.com/home-page/avid-pr...
Avid has released Pro Tools 2021.12. This release is largely a bug fix release with one new feature, which adds support for Avid’s own Artist I/O range of video hardware units. We have all the details.
December 9, 2021, 09:00 AM
https://www.slashfilm.com/680242/ghostbusters-afte...
Even though "Ghostbusters: Afterlife" has some sizable missteps in its slavish references to the original "Ghostbusters," one of the more praiseworthy elements of reverence and nostalgia comes in the form of Rob Simonsen's score for the sequel. Not only does the soundtrack perfectly utilize the familiar themes from composer Elmer Bernstein's original 1984 score, but it emulates and evolves the music to create a blockbuster score that calls back to the glory days of adventure movies of the 1980s...
December 8, 2021, 08:36 AM
https://creativevideotips.com/tutorials/how-to-bat...
Anytime you cut a clip with audio to trim it, you unintentionally create a pop or click. But thankfully, crossfades will fix this problem, and DaVinci Resolve just recently added THE BEST WAY to add a whole timeline's worth of FADES that I've ever seen in a video editing program. What makes it the best is it can ignore work you’ve already done and only apply fades to cuts that need it!So today, we're doing a quick and deep dive into everything you need to know about adding audio fades to smoo...
December 8, 2021, 08:34 AM
https://postperspective.com/otherworldly-sound-des...
By Patrick Birk Director Jorge R. Gutiérrez’s Maya and the Three is an animated Netflix series that tells the story of Maya (Zoe Saldaña), a warrior princess in pre-colonial Mesoamerica. To save her family and humanity, she must fight alongside three legendary warriors to defeat the gods of the underworld. Audio post veteran Scott Gershin led the sound department at The Sound Lab, Continue reading → December 7, 2021 The post Otherworldly Sound Design for Netflix’s Maya and the Three
December 7, 2021, 02:40 PM
https://www.dpamicrophones.com/news
ALLEROED, DENMARK, DECEMBER 7, 2021 ― In an effort to support first-time and indie filmmakers through the height of the pandemic, DPA Microphones partnered with Rycote on a “Pay-it-Forward” giveaway in late 2020 from which three lucky winners acquired a full cinema mics kit from the brands. The contest’s prizes included DPA’s 4097 Micro Shotgun, 4017 Shotgun and 6060 CORE Subminiature microphones―along with virtual mentoring sessions, an array of Rycote accessories and other equipmen...
#film sound design#dpa microphones#broadcast audioDecember 7, 2021, 08:52 AM
https://tonebenderspodcast.com/182-the-power-of-th...
We talk with Tara Webb (Sound Editor & Re-Recording Mixer) and Leah Katz (Dialog Supervisor) about the sound of Jane Campion’s The Power Of The…
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.