It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 18, 2019, 10:00 AM
https://www.artofvfx.com/spider-man-far-from-home-...
Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.
July 18, 2019, 05:50 AM
https://beforesandafters.com/2019/07/18/han-yang-o...
When 3D artist Han Yang posted work in progress stills and then a trailer for his personal project, The Lander, he received much acclaim for the look of this Predator-inspired short. But, in addition, he captivated viewers by explaining his mix of V-Ray and Unreal Engine in lighting and rendering the film.
July 17, 2019, 09:56 AM
https://www.artofvfx.com/spider-man-far-from-home-...
Last year, Kevin Souls and Raphael A. Pimentel explained the work of Luma Pictures on ANT-MAN AND THE WASP. They then worked on THE NUTCRACKER AND THE FOUR REALMS, MARY POPPINS RETURNS, CAPTAIN MARVEL and ONCE UPON AT TIME IN HOLLYWOOD. Raphael A. Pimentel also worked on PEPPERMINT and AQUAMAN.
July 16, 2019, 09:58 AM
https://www.artofvfx.com/captain-marvel-vfx-breakd...
Australian studio Rising Sun Pictures presents their work on CAPTAIN MARVEL in this VFX Breakdown...
July 16, 2019, 06:13 AM
https://www.artofvfx.com/the-dead-dont-die-alex-ha...
Before blasting zombie heads for Jim Jarmush for THE DEAD DON’T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker.
July 16, 2019, 06:13 AM
https://www.youtube.com/watch?v=5PiYGLR3Wv8
Niko, Sam and Clint sit down once again to react to some of Hollywood's zestiest CGi moments: What makes a visual effect bad? What makes one great?
July 16, 2019, 06:13 AM
https://www.artofvfx.com/stan-ollie-vfx-breakdown-...
Come have a look at the invisible work made by Union VFX for STAN & OLLIE...
July 16, 2019, 06:12 AM
https://beforesandafters.com/2019/07/15/score-extr...
RebusFarm render service offers cloud rendering for a huge range of 3D software and renderers. befores & afters readers can also benefit from an exclusive special: 50 free trial RenderPoints!
July 12, 2019, 04:55 AM
https://www.youtube.com/watch?v=DY73Kyk0T7A
I love sine waves, and in Adobe After Effects there are a number of ways to do them, This tutorial I'll will cover 4 ways, 1 with a plugin, and 3 with expressions. Path sine wave expression https://gist.github.com/longlivemikey/559497a73c41973a979a9bfce91494a6 text layer expression selector code S=(2*Math.PI/thisComp.duration)*30 Math.sin(time*S+textIndex)*100 If you need CC, Get Adobe Creative Cloud: http://cinemaspice.net/adobe-creative-cloud/ to help support this cha...
July 11, 2019, 09:17 AM
https://www.artofvfx.com/men-in-black-internationa...
In 2018, Alessandro Ongaro told us about the work of DNEG on ANT-MAN AND THE WASP. He explains today his work on MEN IN BLACK: INTERNATIONAL.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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