To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

IBC: MATROX CARD POWERS 12 DISPLAYS

September 12, 2010, 11:56 AM

http://www.postmagazine.com/ME2/dirmod.asp?sid=&nm...

AMSTERDAM - Matrox Graphics (www.matrox.com/graphics) is showing a variety of multi-display technologies at IBC2010, including a live demonstration of a 12-display workstation powered by an M9188 octal graphics card and M9148 quad card combination.

Film School Confidential Does It Really Matter?

September 11, 2010, 06:17 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

In the age of YouTube, making movies no longer seems complicated. With an expanding range of visual media and easy access to affordable camcorders and editing software, many can shoot and arrange scenes without a big crew.

Putting the Flow in Workflow

September 11, 2010, 06:16 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

It is often considered that necessity is the mother of invention. For the motion picture industry, that might be modified to read "Emerging technologies are the mother of invention." In other words, how we work, and the creativity that results from these endeavors, are highly dependent upon the palette of available picture editorial, sound editorial and re-recording mixing tools.

September 11, 2010, 06:15 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Working in 3-D literally add-ed a new dimension of difficulty for picture editorial on Resident Evil: Afterlife. During the post-production process, editor Niven Howie, visual effects editor Mark Herman and first assistant Ben Howdeshell discussed how they worked stereoscopically on the film with Editors Guild Magazine. Following are excerpts from that conversation.

TAIL POP: Miller's Crossing

September 11, 2010, 06:14 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

I have always been envious of those who came to the business because of their love and passion for films. I was born into the film industry and didn’t appreciate my proximity. My father, Larry Heath, was a film editor. The studio was not a mythical place where movie magic happened. It was the place where my dad went to work. As a child, I would join him in the cutting room––more as a parenting responsibility than an opportunity for a father to pass on his craft. I enjoyed the special...

Here Cuts Mr. Jordan

September 11, 2010, 06:13 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Why should a Final Cut editor even bother with this book?" asks Larry Jordan. "Does the world need another book on Adobe Photoshop or Apple Final Cut Studio?" Jordan, as the author of said book, responds to his own question in the affirmative. Why? Because editors have three essential goals. First is to complete projects on deadline and on budget. Second is to produce quality work that meets the client’s specifications. Third, and not least of all, is to keep the work interesting for...

Facilis Technology Demonstrates New 64bit Terra

September 11, 2010, 01:13 PM

https://www.aotg.com/facilis-technology-demonstrates-new-64bit-terra/

Hudson, Mass, and Amsterdam, The Netherlands, September 10, 2010 – Facilis Technology, a leader in shared media storage technology for post-production and content creation, today announced new hardware and operating system for TerraBlock shared storage systems. The 64bit operating system, as well as high performance SAS controllers, adds to the available bandwidth for multi-stream uncompressed and 2K/4K DI workflow.

Avid News at IBC

September 11, 2010, 11:14 AM

http://community.avid.com/blogs/buzz/archive/2010/...

IBC 2010 is here and there’s something for everyone at the Avid booth (7.J20) – whether you’re a post or broadcast professional. It was a busy start to the show on Friday, so here’s a roundup of the news Avid announced and a few photos from our press conference. Stay tuned for more news from IBC 2010!

No really, I’d love to hear about your workflow!

September 11, 2010, 11:13 AM

http://blog.youdownwithfcp.com/2010/09/11/no-reall...

During a recent double over-nighter I found myself thinking about workflows. And the nitty gritty stuff too, like how frequently people version their project files, how they name their assets, and how they arrange their folder structures. I would really love to hear from anyone about the nuts and bolts of how you go about "going about your business" I know this is probably boring stuff to most people, but it can make or break a workplace. Here’s a list of other possible things to talk about.

IBC: YOYOTTA ENHANCES WORKFLOW MANAGEMENT

September 11, 2010, 11:10 AM

http://www.postmagazine.com/ME2/dirmod.asp?sid=&nm...

AMSTERDAM - YoYotta (www.yoyotta.com) introduced the new version of its YoYo post production workflow management system at IBC 2010. Originally designed as a conform I/O interface for Pandora color correctors, the YoYo V.3 software suite offers a comprehensive and cost-effective toolset for managing post workflows. Facilities using YoYo can ingest, transcode, conform and output most standard video- or data-based file formats, freeing up suites for creative work.

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