It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 3, 2010, 09:14 PM
http://www.postmagazine.com/ME2/dirmod.asp?sid=&nm...
Today’s all-digital motion pictures generate far more data than their predecessors — up to two petabytes of data or more per project. As an industry, the media and entertainment market is managing an astounding number of large data files that is only increasing as production processes become more sophisticated. Without high-performance, massively-scalable file systems, post production shops face latency issues that can negatively impact their ability to deliver content on time and on budget.
September 3, 2010, 10:55 AM
https://www.aotg.com/norman-hollyn-on-collaboration/
Norman Hollyn is an Associate Professor in the School of Cinematic Arts at USC. Here he talks about how the school should approach the new creative landscape and how storytelling and collaboration is something still needed to be taught.
September 3, 2010, 10:41 AM
http://www.nypostconference.com/
Direct from the NAB Show in Las Vegas, the New York Post Production Conference features dozens of expert training sessions for video, TV, film and new media professionals.
September 2, 2010, 03:25 PM
http://www.studiodaily.com/blog/?p=4070
If you’re one of the many thinking about the upcoming DaVinci Resolve for Mac as a possible tool to add to your workflow then you’ll probably be interested in the recently released DaVinci Resolve for Mac Configuration Guide.
September 2, 2010, 01:26 PM
http://www.postmagazine.com/ME2/dirmod.asp?sid=&nm...
SAN JOSE - Adobe (www.adobe.com) has released an update to Premiere Pro CS5. Version 5.0.2 includes improved Mercury Playback Engine support, which enables GPU-acceleration, allowing users to work in realtime on high resolution projects. The new release also introduces support for additional Nvidia cards, including the GTX470, Quadro 4000 and Quadro 5000, which are all Windows-only solutions.
September 2, 2010, 01:24 PM
http://www.postmagazine.com/ME2/dirmod.asp?sid=&nm...
SHREVEPORT, LA — Vampires are all the rage these days, and ABC took a bite of the genre with its summer series The Gates. While the show is set in what looks like a Utopian gated community in the suburbs, it is really a haven for dark secrets and pretty bloodsuckers.
September 2, 2010, 01:24 PM
http://www.postmagazine.com/ME2/dirmod.asp?sid=&nm...
Inner-D is a new 3D stereo conversion studio that just completed its first job, Weinstein Company’s Piranha 3D. The studio (www.inner-d.com) managed the 35mm 2D-to-3D conversion process, as well as first pass color grading and finishing for the film. At press time, Inner-D was getting ready to move into space in North Hollywood, where founder Grant Boucher says they’ll be able to handled conversion on as many as four features at a time.
September 2, 2010, 12:59 PM
http://deysonortiz.com/blog/inspirational/intervie...
Since the last interview with Josh Bodnar close to a year ago we have kept in contact, during that time he has offered me valuable advice and insight into the industry. I am such a big fan of his work and his ideas that I wanted to take the opportunity and do a second interview in which we dive deeper into his creative realm.
September 2, 2010, 12:58 PM
http://deysonortiz.com/blog/inspirational/intervie...
I had the great pleasure of interviewing, Emmy Award winning editor, Josh Bodnar. He has helped produce such projects as, Emmy award-winning, title design sequence for Showtime’s "Dexter", and Emmy nominated title design sequence, "Kingdom Hospital". His work is also part of the New York Museum of Modern Art Permanent Collection.
September 2, 2010, 10:30 AM
http://www.artoftheguillotine.com/assocvideo.php
Here's part three of Julian Clarkes discussion on cutting district 9. This is part of the CCE panel discussions held bi/monthy.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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