To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Episode 032 - Michael R. Miller Interview Part 2

June 29, 2010, 11:24 AM

https://www.aotg.com/episode-032-michael-r-miller-interview-part-2/

This week Gordon interviews Michael R. Miller, editor of Swing Kids, Raising Arizona, Stigmata and Ghost World as well as many other great films. They discuss his work on cult classics like Farce of the Penguins and Strangers with Candy.

Media 100 Suite Version 1.6 Now Available

June 29, 2010, 09:45 AM

http://provideocoalition.com/index.php/news/story/...

Media 100, a leading provider of advanced editing systems for the corporate, broadcast, postproduction, and new media industries, today announced that Media 100 Suite Version 1.6 is now available. Version 1.6 supports Calibrated Software’s Calibrated{Q} MXF Import, AVC-Intra Decode, and DVCProHD Decode products, allowing Media 100 Suite editors to directly open MXF files, import and playback AVC-Intra media, and playback media created in the DVCProHD codec. In addition, Version 1.6 includes...

Editing on iPhone 4 (so who needs an NLE?)

June 28, 2010, 01:39 PM

http://www.macvideo.tv/camera-technology/features/...

Since iPhone 4 lets you shoot video and stills, and iMovie for iPhone lets you edit clips and add music, text, transitions, rostrum moves and lower thirds, perhaps I can now abandon Premiere, FCP and AVID for a new hardware editing platform which lets me cut 720pHD H.264 in real time without rendering!! A competitor to the Mercury Playback Engine perhaps..??

What is YUV?

June 28, 2010, 01:39 PM

http://provideocoalition.com/index.php/adobe/story...

What exactly is YUV when talking about video? Well, it’s a way of breaking the brightness and colors in the image down into numbers, and it’s a little different from RGB, which we discussed last time. Just as a refresher, most cameras take the light coming into the lens, and convert that into 3 sets of numbers, one for Red, one for Green, and one for Blue...

HD to SD DVD – FCP Workflow

June 28, 2010, 11:21 AM

http://uniquedesigners.wordpress.com/workflow/#com...

f you are lucky to have a client who want Blu-ray ... well congrats... even though you will run in a bunch of other problems – or lets – say issues... anyway. Web delivery is not that much of a problem... since web-based services like Vimeo or YouTube are supporting HD (720p or even 1080p).

AJA KI Pro: real-world operation

June 28, 2010, 08:16 AM

http://www.macvideo.tv/editing/interviews/index.cf...

Recorded in Rome, this interview with Project Engineer, Sidney Lobb of Creative Technology, gives insight as to how AJA's Ki Pro can be used in a professional situation. Designed as a ProRes recorder, the Ki Pro can be used to replace traditional decks, and also to enable up conversion, down conversion, cross conversion of video signals. One can use the Ki Pro to bypass the compression of the affordable cameras and achieve superior results to highly compressed codecs.

Apple Cinema Tools Overview

June 27, 2010, 06:26 PM

http://www.kenstone.net/fcp_homepage/apple_cinema_...

Cinema Tools is an interesting and often misunderstood utility that has been shipping with Apple Final Cut Studio since 2004. Many editors are not even sure of what Cinema Tools function is. The application is a database application that tracks the relationship between film frames and their corresponding video frames.

Should Apple drop Log & Capture from FCP?

June 27, 2010, 06:13 PM

http://provideocoalition.com/index.php/ssimmons/st...

Just a few days ago Philip Hodgetts posted an intriguing article over on his blog The present and future of post production business and technology. It was titled Why Apple should drop Log and Capture from FCP and has generated some interesting discussion in the comments afterward.

Digital Juice’s Motion Designer’s Toolkit

June 27, 2010, 11:27 AM

http://provideocoalition.com/index.php/editingpost...

Pro Video Coalition looks at creating Elements with Digital Juice "Motion Designer Tool Kit" giving the editor "Total Creative Control

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