It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 20, 2010, 10:57 AM
http://boilingsky.com/2010/06/rotoscoping-or-rotos...
A look at the difference.
June 20, 2010, 09:09 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
Key Code Media Demos Final Cut Server for the iPad Generation: "We’ve bridged the gap between what’s been happening in the post industry and what’s been happening in the consumer industry," says Michael Kammes, senior applications editor for digital media services company and Final Cut Pro solutions re-seller Key Code Media. "In post, up until ten years ago, it was tape. You shot something, you had to show it to someone, so you put it on tape. Or, you made a DVD. There were only a certain....
June 19, 2010, 06:25 AM
http://avidscreencast.com/2010/06/33-safe-color-li...
Nothing fancy, but a solid workhorse: Want to make sure that your sequence is complying with technical broadcast standards? The Safe Color Limiter Effect is your friend.
June 19, 2010, 06:24 AM
http://www.scottsimmons.tv/blog/2010/06/18/linkage...
June's Linkage from Scott Simmons Blog. A List of links useful to editors.
June 18, 2010, 12:49 PM
http://digitalfilms.wordpress.com/2010/06/18/bette...
One of the handy features of modern NLEs is the ability to rearrange the interface around specific editing tasks. Changing the user interface windows for editing, mixing, color correction or effects will make easier work of any session. Adobe Premiere Pro, Avid Media Composer and Apple Final Cut Pro are all designed with a similar bin, window and timeline layout that offers infinite possibilities to customize the UI, including keyboard and button commands.
June 18, 2010, 08:28 AM
http://yayeveryday.com/images/post_images/2010-4-2...
As it becomes more and more popular producers have been pushing for this.
June 17, 2010, 04:08 PM
http://schubincafe.com/blog/2010/06/things-you-can...
Mark Schubin’s presentation from the San Francisco Public Television Quality Workshop, June 8, 2010.
June 17, 2010, 09:58 AM
http://www.macvideo.tv/blogs/index.cfm?entryid=322...
I hope you all enjoy the journey you can find here: Take Me There Boris Yes, it's what is known as a viral campaign, and I will stop right there because it's got a job to do. Enjoy. But, dear readers, I thought I'd pass on a few notes on the actual shooting and editing of it. It will spoil the whole experience as you learn how we gutted the chicken you found so tasty, but it's all about the learning.
June 17, 2010, 05:51 AM
http://magazine.creativecow.net/article/one-team-t...
Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.