It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 16, 2010, 07:12 AM
http://editmentor.wordpress.com/2010/06/15/trust-u...
The more I thought about professional practices, the more I realized I had other questions to address first. Editmentor serves lots of different people with varying levels of experience, and we’ve had a number of questions from people asking "How can I become a professional editor?" And, in a world where literally anyone can assemble clips of video and audio on their own computer, what makes a professional editor professional?
June 16, 2010, 07:10 AM
http://neilsadwelkar.blogspot.com/2010/06/canon-5d...
Canon has released a plug-in to enable FCP users to directly import Canon footage into FCP via Log and Transfer. This works for the 5D MkII. It is available at Canon's web site.
June 15, 2010, 10:41 AM
http://dylanreeve.com/videotv/avid/2010/transcodin...
The new AMA functionality in Avid Media Composer 5 makes working with Canon DSLR footage a lot easier, but at some point it’s probably going to become necessary to transcode it to another format, so which resolution is best?
June 15, 2010, 10:38 AM
http://www.finalcutuser.com/?p=1879
A walkthrough of the new features coming soon in DSLR Slate 1.1
June 14, 2010, 05:21 PM
http://www.btlnews.com/awards/contender-portfolios...
Editor Bob Murawski was finishing Spiderman 3 when he got a call from friend, Paul Ottosson, who had been hired as sound designer on The Hurt Locker. Director Kathryn Bigelow was looking for an editor and wanted to meet him. Desperate to find an editor who would go to the Middle East, she was already location scouting in Jordan.
June 14, 2010, 10:20 AM
http://www.btlnews.com/crafts/post-production/bori...
Boris FX announced Boris AAF Transfer, a new plug-in designed for seamless transfer of Apple Final Cut Pro sequences to Avid Media Composer. Boris AAF Transfer uses Avid’s new AMA (Avid Media Access) architecture to transfer Final Cut Pro sequences without the need for transcoding or rewrapping.
June 13, 2010, 12:53 PM
http://splicehere.wordpress.com/2010/06/10/introdu...
Today is release day for Media Composer 5, Avid’s biggest update in years. Let me offer a big, hearty, "congratulations" to everybody at Avid who made this possible. You all are doing great work.
June 12, 2010, 05:54 PM
http://digitalfilms.wordpress.com/2010/06/12/will-...
OK, now that I have your attention, let me answer the question. Without a doubt – no – at least not for a while. There sure is a lot of sturm und drang on the Internet lately about the supposed fate of Final Cut Pro.
June 12, 2010, 05:47 PM
http://digitalfilms.wordpress.com/2010/06/12/will-...
OK, now that I have your attention, let me answer the question. Without a doubt – no – at least not for a while. There sure is a lot of sturm und drang on the Internet lately about the supposed fate of Final Cut Pro. It started around NAB-time this year, partially due to the lack of an Apple presence (everyone is supposed to know they’ve sworn off trade shows)...
June 12, 2010, 04:19 AM
http://normanhollyn.com/2010/06/09/the-one-nle-to-...
No, no, no. I don’t think that there’s one editing platform that rules over everything. And I never have felt that way. When I edited on film, there were debates as to whether a Moviola upright was superior to a flatbed (too noisy!! too assistant intensive!!) and I used both.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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