It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 25, 2010, 04:54 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
Dede Allen, A.C.E., was fondly remembered at memorial services held in Los Angeles and New York on May 16. On both coasts, friends, colleagues and family members viewed clips of films that Allen edited and shared stories and tributes to their friend, mentor and champion.
May 25, 2010, 04:54 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
On Saturday morning, March 6, the eve of the Academy Awards, the American Cinema Editors (ACE) held its tenth annual Invisible Art/Visible Artists Seminar with the Oscar-nominated picture editors to a full house at the Egyptian Theatre in Hollywood.
May 25, 2010, 04:54 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
For nine weeks, Chris Innis was embedded with director Kathryn Bigelow and the crew on the Jordanian locations of The Hurt Locker. "Just from the standpoint of shooting on location in the Middle East, this was a very difficult film to do," she says. "It was very trying for everybody." Innis was in Jordan because Murawski, originally hired by Bigelow, was exhausted from three years working on Sam Raimi’s Spider-Man series, and could not make the overseas commitment.
May 25, 2010, 04:53 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
The lights went up. The audience of eager editing students didn’t seem to know whether to weep or applaud. So they did both. In a few short hours, one of them, Mohammed Suliman, had taken several minutes of raw footage documenting a disabled shopkeeper and found the story of the local merchant’s...
May 25, 2010, 04:52 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
A Visual Recap in the ACE Eddie Awards
May 25, 2010, 04:52 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Longtime Editors Guild Magazine and website freelance contributor Michael Kunkes passed away suddenly of heart failure on March 4, 2010. Following is my remembrance of him...
May 24, 2010, 04:51 PM
http://provideocoalition.com/index.php/ssimmons/st...
There’s another entry into the iPhone video editing app category that has just hit the iTunes app store in the last day or so. VeriCorder Technology’s 1st Video (which I previewed here thanks to HandHeld Hollywood just after NAB) aims to one up the previous king of iPhone video editors, ReelDirector, by providing a bit more functionality and moving it beyond a novelty or a toy.
May 23, 2010, 04:50 PM
Join the FCPUG Network, including FCPUGs and digital video user groups from within the US, Canada and the world over in Boston for the largest gathering of FCP, Avid and Adobe editors, HD-DSLR filmmakers and digital content creators and Gurus on the East Coast in 2010! Digital Filmmakers: "Get Seen" by showing your films in Open Screen Theatre and Pitch Your REEL to hiring local production and post houses and companies in search of creatives!
May 22, 2010, 04:50 PM
http://www.editorsguild.com/v2/magazine/archives/0...
While the story may be a folksy one, the technology and post-production magic required to bring this timeless tale to the big screen in the 21st century was a massive undertaking.
May 21, 2010, 04:49 PM
http://provideocoalition.com/index.php/adobe/story...
For this piece, we’ll take a look at using the new Ultra Keyer in Premiere Pro with some Canon 7D footage. What’s great about this is the fact that the green screen was unevenly lit, and with minimal effort, I’m able to pull a rather impressive key, literally in seconds.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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