It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 11, 2010, 12:52 PM
https://www.aotg.com/cutting-room-eps-027-bobbie-osteen-pt-2/
Here's part 2 of my interview with Bobbie O'Steen. Bobbie is an Emmy nominated editor and author of The Invisible Cut and Cut to the Chase. In this part we begin to discuss her second book, The invisible Cut To see her next interview/event check out her website at www.bobbieosteen.com
March 11, 2010, 11:54 AM
http://avidscreencast.com/2010/03/20-tackling-the-...
In this episode, we’ll deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We’ll cover the basics in this episode and the next. This week: Render types, keyframe interpolation and manipulating the Speed Graph.
March 11, 2010, 10:46 AM
https://www.aotg.com/episode-27-interview-with-bobbie-osteen-the-invisible-cut-part-2-of-3/
Film Editing News and Interviews
#editor#editing#film#film editing#television#movies#the cutting room#bobbie o'steenMarch 9, 2010, 11:53 AM
http://community.avid.com/blogs/theroughcut/archiv...
Recently, I had the chance to moderate a live chat with two members of the editorial department for Avatar. Not only is it the biggest box office hit of all time, it's also nominated in nine different categories in the Academy Awards.
March 9, 2010, 11:53 AM
http://ace-filmeditors.blogspot.com/2010/03/boris-...
My Avid Media Composer software has for years come with the visual effects plug-ins from Boris FX, the suite called Boris Continuum Complete (BCC). Boris is a software plug-in for Media Composer (and other platforms such as After Effects).
March 9, 2010, 11:52 AM
http://ace-filmeditors.blogspot.com/
Update your RSS Readers and favorites bin. The Ace Tech Web Discussion Blog has moved.
March 9, 2010, 11:51 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
MPEG Sends congrats to the Oscar Award winning editing team of Bob Murawski and Chris Innis.
March 9, 2010, 11:50 AM
http://www.philiphodgetts.com/2010/03/08/what-are-...
Final Cut Pro, like most software developed originally for OS 9, is build on a type of code called (for short) Carbon. The Carbon APIs (Application Programming Interface – the building blocks of code) allowed Final Cut Pro, Photoshop, Illustrator, Media Composer and thousands of other applications to make the transition for OS 9 to OS X "reasonably painlessly".
March 8, 2010, 11:50 AM
http://splicehere.wordpress.com/2010/03/08/one-ste...
Overlap cuts (split edits) are fundamental for any editor. Most people create them in a two-step process, making a straight cut first and then overlapping it using Trim Mode. But there’s a hidden, one-step way to do it.
March 8, 2010, 11:49 AM
http://www.joyoffilmediting.com/?p=2558
I was extremely pleased that The Hurt Locker won for both picture editing and sound editing and sound mixing too. This was a picture and sound editor’s movie if there ever was one and it previously won the A.C.E. Eddie award for best feature editing.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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