To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Back up Tapeless Media

December 26, 2009, 05:59 AM

http://neilsadwelkar.blogspot.com/2009/12/backup-f...

Many film-makers have begun to shoot on tapeless media. XDCam Ex, P2, video on DSLRs, Red, AVCHD, hard disk camcorders, and such like. So, naturally, where they would store tapes in a cupboard, they now have all their 'rushes' as digital video files sitting on hard disks.

Interview with Mick Audsley Pt. 2

December 25, 2009, 05:57 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

In part one of Garrett Gilchrist’s interview, veteran British film editor Mick Audsley talked about his work on Terry Gilliam’s upcoming The Imaginarium of Dr. Parnassus. His second collaboration with Gilliam will always be remembered as Heath Ledger’s last film but, according to Aubrey, salvaging both Ledger’s performance and, in the process, the film itself, will serve as a lasting memorial to the actor, who died during production at the age of 28.

Simmons Wishes Happy Holidays

December 25, 2009, 05:56 AM

http://www.scottsimmons.tv/blog/2009/12/24/have-a-...

Check out Scott Simmons Holiday Message to his readers!

VLC Releasing Video Editing Software

December 24, 2009, 05:55 AM

http://www.learningubuntu.com/news/creators-vlc-ar...

VLC Media will be releasing a new video editing software for the Linux OS. It will be titled the VideoLAN Movie Creator.

Yeah, Tapes are Infallible, Right...

December 24, 2009, 05:54 AM

http://lfhd.net/2009/12/23/yeah-tapes-are-infallib...

One argument I hear against tapeless formats OVER AND OVER again is, to paraphrase, "tapes are infallible. You can’t accidentally delete a clip from a tape. Having a PHYSICAL tape in your hand makes you sure you have the footage and it is there, and usable, and I can see it YEARS from now."

Obscure Faces

December 24, 2009, 05:53 AM

http://avidscreencast.com/2009/12/10-obscure-faces...

Sometimes, you need to obscure the face of a person, be it for legal or aesthetic reasons. In this episode, we’ll do just that using a very special technique.

Heliocentric Pantheon and Walter Murch Interview

December 23, 2009, 05:52 AM

http://bldgblog.blogspot.com/2007/04/heliocentric-...

Through both film editing and sound design, Walter Murch has worked literally behind the scenes of Hollywood to give shape and structure to the films we see. In the process, he's won three Academy Awards; he's directed his own feature-length film, the creatively subversive Return to Oz; and he's worked with some of the greatest directors of modern times, including Francis Ford Coppola and George Lucas, on some of their greatest films, from The Godfather trilogy and Apocalypse Now to...

Commentators on the Language of Film Editing

December 23, 2009, 05:51 AM

http://www.joyoffilmediting.com/?p=2209

Some filmmakers simply tell a tale and use editing, camera and sound to portray it as artfully as possible. The editing remains mostly invisible in their hands as we become absorbed in story, place and characters. Directors Steven Spielberg, Ang Lee, and James Cameron fit this description. Other directors - Quentin Tarantino, Jean Luc Godard (and others in the 1950s French New Wave) Martin Scorsese, Francis Ford Coppola, Mel Brooks...

Avid Screencast - Red Workflow II

December 23, 2009, 05:49 AM

http://avidscreencast.com/2009/12/09-red-workflow-...

This is the second of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll take a sequence that was offline edited in Avid Media Composer and onform it to 4K DPX files for grading. For this, we’ll use Monkey Extract. Sorry for being late with this one, but I was not at home and couldn’t remote into my computer to upload the podcast. My bad.

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