It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 17, 2009, 05:39 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
From his long history with Stephen Frears to his work with directors like Mike Newell, Neil Jordan and John Madden, Mick Audsley has, over 30 years, proven himself to be one of the finest editors in Britain. The Imaginarium of Dr. Parnassus, due for release December 25, is his second collaboration with director Terry Gilliam.
December 17, 2009, 05:39 AM
http://www.wideanglecloseup.com/monkeys_audsley.ht...
Mick Audsley has worked extensively with Stephen Frears (including MY BEAUTIFUL LAUNDRETTE, PRICK UP YOUR EARS, SAMMY AND ROSIE GET LAID and THE GRIFTERS), and also edited Neil Jordan's INTERVIEW WITH THE VAMPIRE. His earlier projects include working on sound for Peter Greenaway's gargantuan mock-documentary THE FALLS. Audsley's friend, editor Lesley Walker (who worked on FISHER KING), suggested him to Gilliam for TWELVE MONKEYS when she was unavailable — coincidentally, cutting a Stephen...
December 16, 2009, 05:38 AM
http://www.postmagazine.com/ME2/dirmod.asp?sid=&nm...
With shooting underway more than two years ago, the creative story behind The Lovely Bones has been a long time in the making. Faced with a complex story line, remote editing locations and an extended post period, editor Jabez Olssen (The Lord of the Rings, King Kong) describes his work on The Lovely Bones as unique on many levels.
December 16, 2009, 05:37 AM
http://provideocoalition.com/index.php/ssimmons/st...
If you’re a working editor out in the world, chances are you freelance or you are on staff at a post-production facility. No matter which of those two categories you might fall into you probably don’t work in a vacuum; that vacuum being one single edit suite that you and you yourself occupy without any interaction with others.
December 16, 2009, 05:36 AM
http://www.macvideo.tv/editing/features/index.cfm?...
SuperMeet producers Dan Berube and Michael Horton decided to do something different for the IBC SuperMeet in September 2009. Hot off the announcement of Final Cut Studio 2 the floor was opened to questions from the audience. The result is a wide array of interesting questions which generated equally interesting answers. If ever an event shows the cohesion of the world video community, this is it. Featuring experts from the USA, UK, France and an audience from many different countries.
December 16, 2009, 05:36 AM
http://www.scottsimmons.tv/blog/2009/12/15/get-dup...
I recently wrote a piece over at the Editblog on PVC about using the show duplicate frames function in Final Cut Pro...
December 15, 2009, 12:46 PM
https://www.aotg.com/cutting-room-eps-022-mark-livolsi-pt-3/
Here's the final part of my three part interview with Mark Livolsi. Mark talks about editing The Wedding Crashers, cutting music for Cameron Crowe and working on the Devil Wears Prada.
December 15, 2009, 09:50 AM
Film Editing News and Interviews
#editor#editing#film#film editing#television#movies#the cutting room#mark livolsi#wedding crashers#the devil wears prada#cameron croweDecember 15, 2009, 05:35 AM
http://www.artoftheguillotine.com/archives/decembe...
This conversation is comprised of two interviews, the first in January 1991, in the editing suite set up in a Fort Lauderdale office building during filming of CAPE FEAR. With the innocuous image of a teddy bear frozen on her flatbed editing table, Schoonmaker spoke of the working relationship Scorsese has had with her and what exactly she feels she contributes to his films. "I'm so lucky. I keep wondering when someone is going to murder me so they can get my job!" Laughing, she then turns...
December 15, 2009, 05:34 AM
http://www.freshdv.com/2009/12/fcp7-speed-tools.ht...
Ripple Training’s Steve Martin has written an AWESOME tutorial that thoroughly delves into Final Cut Pro’s new slow motion and speed ramping toolset.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.