It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 9, 2008, 05:54 PM
http://www.moviemaker.com/magazine/issues/45/editi...
It is often said that a movie is written three times: once, when the screenwriter commits the story to paper; again, when the director and actors commit the story to film; and finally, when the editor constructs the story in time. This crucial final telling of the story—the editing—is no less important than the other two, but is often the least discussed. As an independent moviemaker, I edited my own first feature film. As I prepare to direct my second feature, one in which I will be working...
October 9, 2008, 05:53 PM
http://www.filmsound.org/murch/coates.htm
Anne V. Coates has edited 48 films in as many years. Her first love was horses; as a girl, she thought she'd be a race-horse trainer. As a teenager, an introduction to classic literature on film, such as "Jane Eyre" and "Wuthering Heights," changed her mind. She took a job with a small non-union house, Religious Films, which led to her joining the union and working as a second assistant at Pinewood Studios. The first film she cut was "The Pickwick Papers." A self-described intuitive editor...
October 8, 2008, 12:23 PM
https://www.aotg.com/cutting-room-eps-002-michele-hozer/
This week we interview Michèle Hozer a documentary editor whose work includes: Shake Hands With The Devil and The Nature of Things You can check out her webpage here.
October 8, 2008, 03:06 AM
Film Editing News and Interviews
#editor#editing#film#film editing#television#movies#the cutting room#michèle hozer#shake hands with devil#a promise to the deadOctober 6, 2008, 05:50 PM
http://www.laweekly.com/2002-09-26/news/eyes-half-...
MICHAEL ONDAATJE IS THE AUTHOR OF EIGHT BOOKS, INCLUDING the novels In the Skin of a Lion, The English Patientand Anil's Ghost. During the filming of The English Patient, he came to know the film's editor, Walter Murch, and soon thereafter they began a mutual exploration of editing -- a series of conversations leading to The Conversations: Walter Murch and the Art of Editing Film, a book to be published by Knopf next month, and from which this article is freely adapted.
October 6, 2008, 05:48 PM
http://filmsound.org/murch/interview-with-walter-m...
Walter Murch (WM): At the basic level, a transition is simply the process of changing from some state A to another state, B. What we should examine carefully is the degree of change, and our awareness of it. Change is happening all the time, though we are not always conscious of it. But without change there is no perception. This is somewhat of a paradox.
October 4, 2008, 05:47 PM
http://www.postmagazine.com/ME2/dirmod.asp?sid=639...
As the world turns to HD - the government mandate kicks in next year - we find that television post production pros are all over it, offering HD services to all comers. And on the front end, episodic producers have shown leadership, or at least intense curiosity, in acquiring on an HD format. Shows shooting on traditional 35mm or Super 16 have made the move to HD post production cycles that have proven to be stable and reliable...
October 2, 2008, 05:45 PM
http://www.editorsguild.com/v2/magazine/archives/e...
Avid Technology recently announced the availability Avid DS10, a major makeover of the ten-year-old Nitris platform, designed to save customers time and money by combining high-performance professional editing, compositing, keying, image retouching, painting and graphics capabilities, along with a host of new features, including full 4:4:4 color-managed workflows, advanced color correction, support for Avid’s shared storage solutions though Avid Interplay, vastly improved conform options, GPU....
October 2, 2008, 05:44 PM
http://www.avid.com/US/press-room/Support-XDCAM-HD...
October 1, 2008, 05:42 PM
https://www.aotg.com/canadian-gemini-award-nominees/
The Gemini Awards have annnounced their nominees for editing. These awards honour the best work in Canadian television.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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