It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 27, 2019, 06:30 AM
https://www.mpaa.org/2019/06/how-a-global-vfx-effo...
From Sony Pictures Imageworks headquarters in Culver City, California, visual effects supervisor Dan Kramer helped coordinate a worldwide array of CGI artists to produce some 2000 VFX shots for the aptly named Men In Black: International.
June 27, 2019, 06:29 AM
https://www.artofvfx.com/cold-pursuit-vfx-breakdow...
British studio Union VFX presents their seamless work on COLD PURSUIT...
June 27, 2019, 06:28 AM
https://cinefex.com/blog/deaddontdie/
Zombies come in many flavors. For many horror devotees, George A. Romero defined the genre with his Pittsburgh-made 1968 Night of the Living Dead. The black and white, 16mm shocker depicted shuffling corpses with a hunger for flesh ostensibly triggered, per a half-glimpsed TV news report, by a crashed Venusian probe...
June 26, 2019, 06:16 AM
https://www.artofvfx.com/view-conference-2019-more...
VIEW Conference have announced more VFX Speakers (from ILM, Image Engine, Lola VFX and MPC) for their 2019 edition...
June 26, 2019, 06:16 AM
http://www.postmagazine.com/Press-Center/Daily-New...
TORINO, ITALY — VIEW Conference 2019 (www.viewconference.it) has announced that director Brad Bird, composer Michael Giacchino and Pixar filmmaker Ralph Eggleston will give keynote addresses at the October symposium. In addition to his keynote address, Giacchino will perform a concert of his music during the conference, which is set to take place October 21st through 25th.
June 25, 2019, 10:13 AM
https://www.artofvfx.com/the-orville-season-2-vfx-...
If you like epic space battles, don’t miss this VFX Breakdown by Pixomondo for the Season 2 of THE ORVILLE...
June 25, 2019, 10:13 AM
https://www.artofvfx.com/dark-season-2-vfx-breakdo...
German studio RISE have released the VFX Breakdown about their work on the second season of DARK...
June 24, 2019, 09:53 AM
https://www.slashfilm.com/vfx-artists-react-air-fo...
There are times when you look at visual effects in a movie and you just know that they don’t look good. However, it can be hard to specifically explain why certain visual effects don’t look good when you don’t know the many tools, terms and work that goes into creating them. That’s where Corridor Crew‘s recent series of videos comes into play.
June 24, 2019, 09:52 AM
https://www.provideocoalition.com/after-effects-cl...
In the previous post, we focused on the Hue/Saturation effect – but at the end, we briefly mentioned the Color Balance HLS effect which would seem to cover the same territory. Well, it actually has quite a different look. The following movie compares the two head-to-head: Since we created those movies, a new effect appeared that... The post After Effects Classic Course: Hue/Saturation vs. Color Balance HLS appeared first on ProVideo Coalition.
June 21, 2019, 10:59 AM
https://www.aotg.com/vfx-legion-wraps-vfx-for-ma-a-horror-film/
Blumhouse Productions Calls of the LA/B.C.-Based VFX Company To Heighten the Thrills of Another Dark Genre Movie
#vfx#cgi#vfx legion#vfx for filmDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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