To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Apocalyptic City VFX Breakdown
February 14, 2022, 09:07 AM
https://3dtotal.com/news/general/apocalyptic-city-...
Check out this breakdown of an apocalyptic city done in After Effects with ActionVFX elements.
The Witcher Season 2 VFX Breakdown
February 14, 2022, 09:07 AM
https://www.artofvfx.com/the-witcher-season-2-vfx-...
Let’s have a look at the variety of the work made by MPC Episodic for the second season of The Witcher!
BEING WELL SEMINAR – NSW
February 13, 2022, 12:31 PM
https://www.screeneditors.com.au/10885-2/
Thanks to funding from NSW Treasury on behalf of NSW Small Business Month 2022 the ASE is holding two free seminars. The first is: BEING WELL 2 hour workshop –online To be held on 3rd March 7-9 pm and to be presented by Monica Davidson from CREATIVE + BUSINESS MAINTAINING HEALTH AND WELLBEING IN THE […]
How to Make Differential Line Growth With Bifrost
February 12, 2022, 10:03 AM
https://lesterbanks.com/2022/02/how-to-make-differ...
Marcus P. shows how to create differential line growth, making an animated brain. This new tutorial from Marcus P. shows how to set up a differential line growth animation using Maya Bifrost. We usually see this kind
Quick Tip: Creating Stills and Pauses in Resolve
February 12, 2022, 10:02 AM
https://www.premiumbeat.com/blog/create-stills-pau...
DaVinci Resolve to the rescue! Learn three techniques you can use for capturing a still or creating pauses in your next project.
How to Get a Retro Printed Look in Cinema 4D
February 12, 2022, 10:02 AM
https://lesterbanks.com/2022/02/how-to-get-a-retro...
Unicut Media shows how to create a retro printed look in Cinema 4D. In this tutorial, from Michael de Meyer (Unicut Media), you can work with vectors in C4D and create type and other elements into 3D.
Work Editorial Welcomes Editor Daniel Mitchell to London Team
February 12, 2022, 10:02 AM
https://postperspective.com/work-editorial-welcome...
Super Bowl: Helping Animals Come Alive for Frito Lay
February 12, 2022, 10:02 AM
https://postperspective.com/super-bowl-helping-ani...
Untold Studios provided 44 visual effects shots for a Frito Lay Super Bowl spot. Working closely with agency Goodby Silverstein & Partners and director Tom Kuntz from MJZ, the team at Untold Studios created a chorus of singing and breakdancing CGI creatures. Those characters range from a beat-boxing fox (voiced by Charlie Puth) to a songbird that emerges from the mouth of a crocodile (Megan Thee Stallion). Continue reading → February 11, 2022 The post Super Bowl: Helping Animals Come Alive for...
Behind the Title: Final Cut Editor Ashley Kreamer
February 11, 2022, 08:42 AM
https://postperspective.com/behind-the-title-final...
Ashley Kreamer is a senior editor at Final Cut, a creative editorial company working in advertising, film and TV. The studio has offices in New York, London and Los Angeles. Prior to COVID, Kreamer worked out of the studio’s New York City location. Let’s find out more about Kreamer… Can you talk about what your job entails? Continue reading → February 9, 2022 The post Behind the Title: Final Cut Editor Ashley Kreamer appeared first on postPerspective.
Applying the Principles of Animation in Blender
February 11, 2022, 08:41 AM
https://lesterbanks.com/2022/02/applying-the-princ...
Pierrick Picaut covers the vocabulary and mechanics for animation in Blender and other 3D packages. It’s impossible to speak about animation without mentioning the principles too. It even goes beyond that if you are starting
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.