It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 19, 2019, 12:28 PM
https://www.artofvfx.com/the-nutcracker-and-the-fo...
Rodeo FX presents their work on the opening long continuous shot of THE NUTCRACKER AND THE FOUR REALMS...
June 19, 2019, 12:28 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
Daryl Sawchuk started his career in visual effects in 2006 at MPC and works on many films like 10,000 BC, SUCKER PUNCH, MAN OF STEEL and GODZILLA. In 2016, he joined Method Studios and worked on DOCTOR STRANGE, JUSTICE LEAGUE and BLACK PANTHER.
June 19, 2019, 12:28 PM
https://postperspective.com/londons-media-producti...
By Mel Lambert The fourth annual Media Production Show, held June 11-12 at Olympia West, London, once again attracted a wide cross section of European production, broadcast, post and media-distribution pros. According to its organizers, the two-day confab drew 5,300 attendees and “showcased the technology and creativity behind content creation,” focusing on state-of-the products and services. Continue reading → June 19, 2019 The post London’s Media Production Show: technology for ...
June 19, 2019, 06:00 AM
https://www.cinema5d.com/red-giant-vfx-suite-relea...
Today, Red Giant Software released the latest addition to their already impressive collection of effects and grading suites. The Red Giant VFX Suite offers 9 freshly coded effects for immediate use in Adobe After Effects. Four of the nine also work in Premiere Pro. And all these effects can be tweaked and tailored to your specific needs, of course.
June 19, 2019, 05:59 AM
https://www.provideocoalition.com/review-red-giant...
Red Giant Software has been developing After Effects plugins for over 15 years, and today they’ve launched their newest product. The brand new Red Giant VFX Suite is comprised of nine individual After Effects plugins, including an updated Primatte Keyer and the latest version of Knoll Light Factory. The new VFX suite replaces the older Keying... The post REVIEW: Red Giant VFX Suite appeared first on ProVideo Coalition.
June 18, 2019, 12:56 PM
https://postperspective.com/review-red-giants-vfx-...
By Brady Betzel If you have ever watched After Effects tutorials, you are bound to have seen the people who make up Red Giant. There is Aharon Rabinowitz, who you might mistake for a professional voiceover talent; Seth Worley, who can combine a pithy sense of humor and over-the-top creativity seamlessly; Continue reading → June 18, 2019 The post Review: Red Giant’s VFX Suite plugins appeared first on postPerspective.
June 18, 2019, 12:56 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
In 2017, Guillaume Rocheron explained his work on GHOST IN THE SHELL. Today he tells us about his reunion with Godzilla for GODZILLA: KING OF THE MONSTERS.
June 18, 2019, 11:29 AM
https://www.aotg.com/red-giant-introduces-vfx-suite-for-after-effects-2/
Keying, tracking, cleanup, and visual effects compositing, right inside Adobe After Effects. A brand-new suite of powerful visual effects tools from Red Giant, creators of Trapcode, Magic Bullet, Universe and PluralEyes, is here.
#adobe#vfx#after effects#red giant#adobe after effects#vfx suiteJune 18, 2019, 06:16 AM
https://deadline.com/2019/06/the-umbrella-academy-...
'The Umbrella Academy' VFX Supervisors explain how a talking chimpanzee was brought to life for Netflix superhero series.
June 18, 2019, 06:16 AM
https://beforesandafters.com/2019/06/18/heres-how-...
It’s been a few months since Adobe officially launched its Content-Aware Fill for video feature in After Effects. VFX artists will of course already be familiar with the need to remove unwanted objects from scenes; Content-Aware Fill is designed to do this somewhat automatically, as it does in Photoshop, but for moving images.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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