To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VFX Legion Wraps ‘Madam Secretary' 5th Season

June 10, 2019, 02:04 PM

https://www.aotg.com/vfx-legion-wraps-madam-secretary-5th-season/

VFX Legion recently completed over 100 visual effects for the fifth season of the CBS series, ‘Madam Secretary.’ Creative Director, James David Hattin assembled and supervised a team of over 30 artists from the LA and B.C.-based company's global collective of talent, working as a single unit via the studio’s next-generation remote pipeline.

#vfx#compositing#vfx legion#matte painting#vfx for tv#vfx supervision
SHAZAM! VFX Supervisor

June 10, 2019, 09:19 AM

https://www.artofvfx.com/shazam-francis-puthananga...

Francis Puthanangadi began his career in visual effects in 1998 and joined Digital Domain in 2006. He has worked on many films such as TRON: LEGACY, IRON MAN 3, AVENGERS: INFINITY WAR and AQUAMAN.

Speed: a tale of many buses

June 10, 2019, 05:54 AM

https://beforesandafters.com/2019/06/10/speed-a-ta...

If it was made today, it’s possible that some of the on-the-bus sections of Speed would be filmed on a sound-stage against bluescreen. But that’s not at all how the 1994 Jan de Bont movie was staged. Every bus shot takes place on a real bus, and there were actually around ten different buses retro-fitted for different kinds of action in the film.

The Silence VFX Supervisor

June 6, 2019, 12:09 PM

https://www.artofvfx.com/the-silence-matt-glover-v...

Matt Glover began his career in visual effects in 2007 at Mr. X. He has worked on many films such as DEATH RACE, SCOTT PILGRIM VS. THE WORLD, TRON: LEGACY, ROBOCOP and THE STRAIN.

Total Recall Models and Skeletons

June 6, 2019, 08:34 AM

https://www.artofvfx.com/total-recall-models-and-s...

TBT! Thanks to Studio Canal for the release of this really interesting documentary about the Special and Visual Effects on the original TOTAL RECALL featuring Miniature Effects Co-Supervisor Mark Stetson and CGI Director Tim McGovern!

VFX Artists React to Resurrected Actors

June 6, 2019, 08:34 AM

https://www.slashfilm.com/the-morning-watch-vfx-ar...

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

Shooting 'Speed’s' opening titles almost destroy

June 6, 2019, 04:32 AM

https://beforesandafters.com/2019/06/06/shooting-s...

Has there ever been any opening titles quite like those in Speed? For the uninitiated, the three-minute long sequence follows the path of an elevator shaft from above the 40th floor right down to the basement, immediately segueing into the film’s action. All the while, composer Mark Mancina’s score is introduced, while the titles themselves wipe on and off the elevator beams.

Great Effects for Good Omens

June 6, 2019, 04:32 AM

https://library.creativecow.net/wilson_tim/great-e...

Wouldn’t you know it? You’re a demon living on Earth for the past 6000 years, and you’ve finally persuaded your angelic counterpart to help you stop the end of the world, and now you can’t remember where you left the 11 year old Antichrist.

Avengers Endgame: VFX Team Interview

June 4, 2019, 06:44 AM

https://www.artofvfx.com/avengers-endgame-russell-...

Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.

ILM Tackles Bruce Banner’s ‘Smart Hulk’ Conv

May 31, 2019, 05:59 AM

https://www.awn.com/vfxworld/ilm-tackles-bruce-ban...

The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.

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