It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 12, 2019, 10:47 AM
https://www.redsharknews.com/post/item/6286-blackm...
To be honest, even though there is a lot of new stuff in Fusion 16 Studio, a lot of it is also going to be rather familiar; at least to Resolve users. Essentially what Fusion 16 does is bundle up all the improvements made to the version of Fusion that resides within Resolve and brings them to the standalone version for the first time (hence why Fusion has jumped from v9 to v16, to bring it into alignment with the marquee product).
April 12, 2019, 06:33 AM
https://beforesandafters.com/2019/04/12/how-stop-m...
When you think of stop-motion animated films, you think of artists meticulously hand-animating a puppet, snapping a frame, and doing that for hours or even days for a shot that might only last seconds on screen. But with films from Laika, that can often be just the start of the process of bringing a shot to life. This is because the studio also makes significant use of visual effects in the form of CG characters, set extensions and clean-up work in creating the final frames.
April 12, 2019, 06:33 AM
https://beforesandafters.com/2019/04/12/ilms-rob-b...
It’s not every day that the visual effects supervisor for a film is also the author AND the photographer of that film’s ‘making of’ book. But that’s exactly the case with Industrial Light & Magic Presents: Making Solo: A Star Wars Story, for which VFX supe and co-producer Rob Bredow documented the process of making the Ron Howard film with rare first-hand access.
April 11, 2019, 10:11 AM
https://www.artofvfx.com/captain-marvel-nick-crew-...
Last year, Nick Crew explained the work of Scanline VFX on TOMB RAIDER. He then worked on THE MEG.
April 11, 2019, 10:11 AM
https://www.artofvfx.com/love-death-robots-making-...
Be sure to watch these great making of released by Netflix about the creation of the episodes of LOVE, DEATH & ROBOTS...
April 11, 2019, 10:11 AM
https://lesterbanks.com/2019/04/create-a-looping-3...
Move Shapes steps through working with a 3D circle, animating them and getting them to loop in After Effects. Motion graphics foundations rest on design and animation principles with a whole lot of technical bits
April 10, 2019, 09:22 AM
https://www.artofvfx.com/captain-marvel-dave-hodgi...
In 2017, Dave Hodgins explained the work of Digital Domain on THOR: RAGNAROK. He talks to us today about CAPTAIN MARVEL.
April 9, 2019, 10:14 AM
https://www.artofvfx.com/captain-marvel-christian-...
In 2017, Christian Kaestner explained the work of Framestore on KING ARTHUR: LEGEND OF THE SWORD. He then worked on GEOSTORM and MARY POPPINS RETURNS.
April 9, 2019, 06:03 AM
https://www.cinema5d.com/prores-raw-vs-blackmagic-...
ProRes RAW was announced a year ago at NAB 2018. While this format is impressive, the actual camera and NLE support have been very slow. At NAB 2019, we got a chance to talk about the future of it with Atomos’ CEO Jeromy Young.
April 9, 2019, 06:02 AM
https://www.artofvfx.com/the-name-of-the-rose-vfx-...
Italian studio visualogie presents their VFX work on the serie THE NAME OF THE ROSE...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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