It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 28, 2022, 08:51 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Sand. Lots and lots of sand. If there’s one thing that people immediately envision when they hear the title Dune, it is the infinite landscape of brown/orange sand. Also, the giant sandworms. And, of course, the futuristic vehicles and other worldly environments and objects.
January 27, 2022, 09:02 AM
https://www.artofvfx.com/the-shadow-in-my-eye-vfx-...
Let’s have a look at the invisible work made by the teams of Umedia VFX on the movie, The Shadow in My Eye...
January 27, 2022, 09:02 AM
https://beforesandafters.com/2022/01/27/inside-lol...
In Shawn Levy’s Free Guy, Ryan Reynolds plays Guy, a non-player character (NPC) in Free City, as part of a massively multiplayer online role-playing video game (MMORPG). At one point, Guy and Dude–a muscular, unfinished version of Guy developed for Free City 2–get into a beach-side fight.
January 27, 2022, 09:02 AM
https://beforesandafters.com/2022/01/27/video-insi...
We chat to the Eternals visual effects team, including visual effects supervisor Stef Ceretti and Weta Digital visual effects supervisor Matt Aitken. We dive into the emergence of Tiamut at the end of the film, Makkari’s super-speed, and the art of world-building in VFX.
January 27, 2022, 09:01 AM
https://www.artofvfx.com/narcos-mexico-season-3-vf...
Let’s discover the seamless work made by the teams of Ghost VFX on the third season of Narcos: Mexico!
January 26, 2022, 08:55 AM
https://www.artofvfx.com/see-saison-2-vfx-breakdow...
Let’s discover how the teams of Pixomondo have extended some of the locations on the second season of the Apple TV+ post apocalyptic series...
January 26, 2022, 08:54 AM
https://movieweb.com/spider-man-no-way-home-vfx-te...
When Marvel Studios and Sony released the first full trailer for Spider-Man: No Way Home, fans immediately picked apart every frame of footage to find where the trailer had been manipulated in order to fool them into thinking that Tom Holland was the only Spider-Man in the movie. This led to several moments being called out as being doctored, including a blink and you miss it clip that appeared in the international trailer, showing Rhys Ifans’ Lizard being punched by an invisible assailant dur...
January 26, 2022, 08:54 AM
https://deadline.com/2022/01/visual-effects-societ...
January 25, 2022, 08:54 AM
https://www.allanmckay.com/335/
January 25, 2022, 08:53 AM
https://beforesandafters.com/2022/01/25/video-insi...
We chat to the Black Widow visual effects team, including visual effects supervisor Geoffrey Baumann, Digital Domain visual effects supervisor David Hodgins, and ILM visual effects supervisor Craig Hammack.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.