To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Evolution of VFX

May 21, 2014, 12:37 PM

http://www.premiumbeat.com/blog/the-evolution-of-v...

Creative inspiration: watch 136 years of visual effects in 3 minutes.

Paul Walker's Digital "Fast & Furious" Double

May 21, 2014, 12:35 PM

http://blogs.indiewire.com/criticwire/paul-walker-...

The late Paul Walker's scenes in "Fast 7" will be completed by a digital doppelganger. Who's next?

Shade VFX Signs VFX Supervisor Everett Burrell

May 21, 2014, 09:41 AM

http://www.btlnews.com/crafts/visual-fx/shade-vfx-...

Shade VFX announced that it has hired visual effects supervisor Everett Burrell. Burrell will work on feature film and television projects in both of Shade’s locations – Los Angeles and New York. Burrell previously worked at LOOK Effects.

MochaImport+ For Nuke Workflow

May 21, 2014, 09:39 AM

http://lesterbanks.com/2014/05/mochaimport-nuke-wo...

Have a look at how MochaImport+ for NUKE and of course Mocha Pro can assist in VFX workflow in Nuke. Imagineer Systems posts a recent webinar that had a look at the workflow behind using the two applications making use of the MamoWorld MochaImport+ for NUKE tools.

THE AMAZING SPIDER-MAN 2: The creation of Rhino

May 21, 2014, 09:39 AM

http://www.artofvfx.com/?p=7989

The new VFX breakdown by Sony Pictures Imageworks for THE AMAZING SPIDER-MAN 2 is dedicated about the creation of Rhino...

Open House at Rodeo FX

May 21, 2014, 09:39 AM

http://www.artofvfx.com/?p=8002

If you are around Quebec City on Wednesday June 4th, don’t miss the Open House organized by Rodeo FX for their Quebec office.

VFX Supervisor Everett Burrell joins shade VFX

May 21, 2014, 04:34 AM

http://www.artofvfx.com/?p=7987

shade VFX have announced yesterday that VFX Supervisor Everett Burrell will join their teams!

Everett Burrell joins Shade VFX

May 21, 2014, 04:31 AM

http://postperspective.com/everett-burrell-joins-s...

Visual effects supervisor Everett Burrell has joined Santa Monica- and New York-based Shade VFX where he will work on feature film and television projects in both of the studio’s locations. Burrell, who was most recently with Look Effects, brings over 25 years of industry experience in both digital and practical effects to Shade. Having begun his […]The post Everett Burrell joins Shade VFX appeared first on postPerspective - Randi Altman's postPerspective.

Watch: Visual Effects from 1878 to Now

May 20, 2014, 06:57 PM

http://filmmakermagazine.com/86023-watch-visual-ef...

Recently, someone on my Twitter feed ruminated that directors used to proudly point out instances of visual effects, where today, they are want to highlight in camera effects. The times they are a changin’. This supercut from Jim Casey neatly considers the evolution/amelioration of VFX across 136 years, from 1878 to today. With glimpses of Le Voyage dans la Lune and Metropolis to Gravity and Inception, the aesthetic quality of the films has obviously improved, if at the expense of the overall ...

VFX Supervisor Everett Burrell Joins Shade VFX

May 20, 2014, 12:40 PM

http://www.studiodaily.com/2014/05/vfx-supervisor-...

Visual effects supervisor Everett Burrell has joined Shade VFX (Santa Monica, CA, and New York City). Formerly a VFX supervisor at Look Effects in Los Angeles, Burrell will work on feature and TV projects, reporting to company CEO Bryan Godwin. … more »

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