It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 16, 2014, 09:56 AM
http://lesterbanks.com/2014/05/trapcode-form-mir-c...
If you have Trapcode From, Trapcode MIR and an extra 5 minutes, you should check out Peder Norrbys Nebula Construction Kit.
May 16, 2014, 09:56 AM
http://www.rodeofx.com/all-films/jack-the-giant-sl...
Jack The Giant Slayer visual effects compositing matte painting cg montreal canada cg environments concept art vfx on-set supervision fx particules previz 3d tracking data capture live action vfx unit online offline color grading stereoscopic cg animation
May 16, 2014, 09:55 AM
https://www.aotg.com/mpc-47-ronin-vfx-breakdown/
Take a look at MPC's work on Universal's 47 Ronin. The VFX work was lead by MPC VFX Supervisor Nicolas Aithadi. Music "A Thousand Shields" 2014...
May 16, 2014, 09:55 AM
Quick Tip Tutorial - More at ratemyfuneral.com - In this quick video we take a look at how to make shader and inheritance effectors effect the colour of a dynamic object by its position.
May 16, 2014, 03:49 AM
http://www.3dvf.com/actualite-9630-oblique-fx-reto...
The studio Oblique FX this video work on the film Beauty and the Beast , Christophe Gans. The visual effects supervisor was Louis Morin. Credits: Directed By: Christophe Gans Produced By: Eskwad, Pathe, Studio Babelsberg Starring: Vincent Cassel, Lea Seydoux, André Dussolier
May 16, 2014, 03:48 AM
https://www.aotg.com/the-making-of-godzilla/
Behind VFX ACCESS is a video curation service for movie fans a direct access to curated playlists of reliable official making-of videos.
May 16, 2014, 03:48 AM
http://news.creativecow.net/story/875772
(May 15, 2014) The CW audiences tuned into last night's season finale of “Arrow” were treated to a much-anticipated sneak peek of “The Flash” in a crossover event, features CG artistry by Encore VFX. In addition to the promo, Encore handled VFX for “The Flash” pilot, and with the show officially greenlit, the company is also set to deliver VFX for future episodes.
May 15, 2014, 04:27 PM
http://www.cgmeetup.net/home/47-ronin-vfx-breakdow...
47 Ronin VFX Breakdown, The VFX work was done by Academy Award winning VFX studio MPC (the Moving Picture Company), with the team lead by MPC VFX Supervisor Nicolas Aithadi.
May 15, 2014, 12:29 PM
http://www.postmagazine.com/Press-Center/Daily-New...
VANCOUVER — MPC Vancouver (www.moving-picture.com) teamed up with director Marc Webb and Sony Pictures Imageworks VFX supervisor Jerome Chen to complete more than 300 shots for The Amazing Spider-Man 2. Led by MPC’s VFX supervisor Erik Nordby and producer Doug Oddy, the team’s main areas of work included three electrifying sequences: Max Dillon falling into a tank of mutant electric eels and beginning his transformation into Electro; Harry Osborn's vein bulging transformation into t...
May 14, 2014, 04:45 PM
http://www.hollywoodreporter.com/behind-screen/dec...
The Oscar-winning hit Gravity was back on the big screen Monday night at the DGA – or, at least, portions of it were, in the form of a variety of finished and behind-the-scenes clips as part of an Academy of Motion Picture Arts and Sciences panel. The event, called "Deconstructing Gravity," was a look at the innovative technologies used to make the film.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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