It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 1, 2019, 06:00 AM
http://www.animationmagazine.net/people/ves-reveal...
The Visual Effects Society (VES) announced its 2019 Board of Directors officers, elected at the January 2019 Board meeting. The officers include Mike Chambers, who was re-elected as Board Chair. The new leadership team also includes the first elected Board officer from outside North America, reflecting the diverse membership of the international Society.
January 31, 2019, 10:56 AM
https://www.artofvfx.com/bird-box-marcus-taormina-...
Marcus Taormina began his visual effects career more than 10 years ago. He has worked on many movies like THE AMAZING SPIDER-MAN, FURY, TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS and BRIGHT.
January 31, 2019, 10:55 AM
https://www.artofvfx.com/oblivion-vfx-breakdown-by...
It’s Thursday, so let’s look back at the work of Pixomondo on OBLIVION...
January 30, 2019, 10:24 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BOURNEMOUTH, UK — Karsten Hecker has joined Outpost VFX (outpostvfx.co.uk) as head of technology. He will lead the studio’s security, pipeline, systems, engineering and IT teams.
January 30, 2019, 10:24 AM
http://www.postmagazine.com/Video-Center/Gallery/V...
Pixomondo (www.pixomondo.com) recently released a breakdown video detailing the studio’s visual effects work on The Girl in the Spider's Web, which is now available digitally and on DVD. The film represents 10 months of work for the studio, including 70 days of on-set supervision. The Pixomondo team completed close to 600 VFX shots for the film, with approximately 100 artists from its Stuttgart and Frankfurt facilities contributing to the project. More than 50,000 photos were taken on ...
January 30, 2019, 10:23 AM
https://www.artofvfx.com/top-eleven-road-to-glory-...
The Mill presents their work on this full CG commercial for TOP ELEVEN Football Manager...
January 30, 2019, 05:47 AM
http://www.animationmagazine.net/people/legend-3d-...
Legend 3D welcomes two multiple award-winning creatives to key positions in its global organization, with the addition of Meetal Gokul as Director of Post Production and Senior Colorist in its Hollywood facility, and Jay Mehta as VFX Supervisor at its Pune, India studio. That announcement was made by CEO Aidan Foley. Gokul will work closely with Legend’s Office of Operations heads Jeff Shapiro (Production) and Jeremy Nicolaides (Creative). Mehta will report in to Los Angeles-based Creative Dir...
January 30, 2019, 05:46 AM
http://vfxvoice.com/mary-poppins-returns-and-so-do...
MARY POPPINS RETURNS Visual Effects Supervisor Matt Johnson on honoring the original film’s timeless analog qualities
January 29, 2019, 01:53 PM
https://www.cinema5d.com/memory-origins-alien-sund...
Memory – The Origins of Alien, premiering in the Midnight Category at Sundance 2019, follows the making of the science fiction classic: Alien. I caught the screening on a Friday morning… admittedly not midnight… more of a brunch showing. The film is a deep dive into the pace, imagery, cinematography, script and THAT ONE SCENE where the creature buys a one way ticket to Bloodville via the Chest Cavity Express. Here’s a glimpse at the doc that aims to reveal what made Alien a gooey, light ...
January 29, 2019, 10:07 AM
https://www.artofvfx.com/aquaman-josh-simmonds-cra...
With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON’T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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