It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 27, 2014, 12:43 PM
http://www.artofvfx.com/?p=6467
Nordin Rahhali is evolving for more than 15 years in the visual effects. Before joining the teams of Method Studios, he worked at CORE Digital Pictures or Digital Domain. He has worked on many projects such as BLADE II, TRANSFORMERS, 2012 or IRON MAN 3.
March 27, 2014, 07:46 AM
http://www.fxguide.com/featured/case-studies-in-in...
How do you tell the true story of Navy SEALs fighting in Afghanistan? What’s involved in marrying the charm of miniatures and stop-motion into final shots? How do you make two Jake Gyllenhaal’s? And how can practical and digital effects carve out a woman’s jaw? The answers are in this article on the seamless visual effects by Image Engine, Look Effects, Rodeo FX and Screen Scene in Lone Survivor, The Grand Budapest Hotel, Enemy and Ripper Street.
March 27, 2014, 07:43 AM
https://www.aotg.com/r-i-p-d-breakdown-reel/
R.I.P.D. breakdown reel: detailed breakdown of some of the visual effects shots Image Engine provided for R.I.P.D.
March 26, 2014, 07:17 PM
http://www.premiumbeat.com/blog/using-the-roto-bru...
Use the roto brush in in After Effects to break apart your video image. Once separated, it's easy to move text, animation or talent behind and around elements in the frame.
March 26, 2014, 07:16 PM
http://www.videomaker.com/videonews/2014/03/boris-...
Boris Continuum Complete 9 is the latest offering from Boris FX. Boris Continuum Complete 9 updates many of the vfx and transitions users are used to, and introduces plenty of new features as well.
March 26, 2014, 07:16 PM
http://lesterbanks.com/2014/03/adding-bloom-glare-...
The post notes that the lighting effect can happen in real life when you are taking a photograph of a light source that is much brighter than the surrounding environment.
March 26, 2014, 03:12 PM
http://soundworkscollection.com/news/the-story-of-...
Having developed modules for the world's leading mixing consoles, the company's first recording console, the Focusrite Forté, was launched, before a streamlined version called the Studio Console was put into production. Only 10 Studio Consoles were ever made, and six remain in operation to this day -- the documentary tells the stories of these consoles and the people who used them.
March 26, 2014, 03:12 PM
http://lesterbanks.com/2014/03/link-colors-across-...
Paul Conigliaro has a look at some workflow tricks for getting things done quickly. In this case, showing how you can use the After Effects Expression controls to drive color across an entire project. This can be a great time-saver, especially if you know that there will be a possibility of some color changes across all of your deliverables, including versioning or different brand, product or style colors.
March 26, 2014, 12:57 PM
http://www.artofvfx.com/?p=6357
Gabriel Sanchez began his career in visual effects in the mid-1990s. In 2004, he joined Look Effects as Flame artist. He has worked on films such as THE FOUNTAIN, THE DARJEELING LIMITED, BLACK SWAN or LIMITLESS.
March 26, 2014, 12:57 PM
http://www.artofvfx.com/?p=6454
March 25, 2014 – Santa Monica, CA – Bryan Godwin, CEO shade VFX, announced today that the company has opened a new facility in New York. A favorable economic climate and requests by clients doing more business in New York prompted the decision for a second strategic location for the growing company. Additionally, shade’s Executive Producer, David Van Dyke, who has been with the company since its inception five years ago, has been promoted to Vice President. Van Dyke will continue to report...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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