August 19, 2010, 11:50 AM
http://digitalfilms.wordpress.com/2010/08/18/red-p...
If you’ve read some of my past articles about RED, you know I’m not a huge fan of "native" editing using the camera raw files as source clips. I find that an offline/online workflow is still best for smoothly editing RED projects, yet it still retains access to the raw color data during the finishing process. Previously I discussed an easy workflow for Apple Final Cut Pro and Color users, but this isn’t the only solution.
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