It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 30, 2015, 09:37 AM
http://www.aotg.com/index.php?page=cuttingroom_168
This is an excerpt from London Edit Fest 2015 with Adrian Pennington interviewing Terry Rawlings, ACE. The excerpt focuses on Blade Runner and the multiple versions that eventually lead to the release of the directors cut thanks to the support of fans.
#editor#ace#editing#film#edit fest#american cinema editors#blade runner#london#terry rawlingsAugust 5, 2014, 02:53 PM
https://www.youtube.com/watch?v=2tJt9xqTiYY
Angus Wall, A.C.E. and Kirk Baxter, 2011 Oscar Nominee for Film Editing on The Social Network explains their approach me...
#ace#angus wall#kirk baxterMarch 10, 2014, 02:00 PM
http://www.lafcpug.org/user_schedule.html
Marks has been nominated for many awards including four times for the Academy Award (Apocalypse Now, Terms of Endearment, Broadcast News, As Good as It Gets), four times for ACE Eddie Awards, (Apocalypse Now, Broadcast News, As Good as It Gets, Julie & Julia) three times for the BAFTA Award, (The Godfather: Part II, Apocalypse Now, Dick Tracy).
#editor#ace#avid#post productionFebruary 22, 2013, 08:40 PM
http://www.vanityfair.com/online/oscars/2013/02/os...
In a continuing conversation with the Oscar season’s best-editing nominees, I recently had the privilege of talking with William Goldenberg, who is actually twice nominated—for Ben Affleck’s Argo and Kathryn Bigelow’s Zero Dark Thirty. (He shares the latter nomination with Dylan Tichenor.) Goldenberg was previously nominated for Seabiscuit and The Insider. Highlights from our conversation...
#editor#ace#film editor#william goldenberg#american cinema editorsFebruary 21, 2013, 03:44 PM
http://filmmakersdiary.blogspot.ca/2013/02/the-63d...
The annual A.C.E. Eddie Awards dinner reminds me of the Passover Seder. Each year, when Jewish families celebrate the exodus of Hebrew slaves from Egypt, the youngest child asks, “Why is this night different from all other nights?” (Ritual requires that four answers be given; these responses, each including the words “on this night,” have mysteriously become known as “the four questions.”)
#ace#awards#eddiesJanuary 25, 2013, 07:05 PM
http://www.slantmagazine.com/house/2013/01/a-cut-a...
The House Next Door is the official blog of Slant Magazine, and is home to all things film, music, television, theater, video games, books, politics, and more
#editor#ace#editing#film editor#oscar#fred raskin#django unchainedJanuary 25, 2013, 07:04 PM
http://www.flavorwire.com/364826/sundance-2013-jos...
PARK CITY, UT: Let’s get this right out in the open: Don Jon’s Addiction, the new comedy from Joseph Gordon-Levitt premiering at the Sundance Film Festival, is filthy. It concerns a womanizing New Jersey ladies’ man whose dependence on hardcore Internet porn is so intense that he actually prefers it to the real thing.
#editor#ace#editing#film editor#sundance#joseph gordon-levittJanuary 25, 2013, 05:56 PM
http://www.dolby.com/us/en/about-us/who-we-are/int...
Walter Murch, film editor and sound designer for Apocalypse Now, Cold Mountain and The English Patient, talks about sound in film.
#editor#ace#editing#film editor#walter murch#murch#dolbyJanuary 25, 2013, 12:54 PM
http://www.screendaily.com/reports/interviews/edit...
Squyres talked with ScreenTech about his work on Life of Pi and the challenges of editing a movie where one of your main characters is a digitally created tiger.
#editor#ace#editing#tim squyres#life of pi#film editor#oscarJanuary 21, 2013, 02:28 PM
http://lappg.com/january-9-2013/
Dan Lebental, A.C.E. Discusses Editing and TouchEdit and Steve Wright presents Color for Digital Artists On Jan 13, 2013 history may have been made. At least the face of editing has had a major surge forward into the future. Dan Lebental, A.C.E. chose the Los Angeles Post Production Group to showcase his NLE for the...
#ace#editing#dan lebental#lappg#touchedit#steve wrightDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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