To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects Camera Tracking – Moving Blood Hit

January 4, 2013, 08:08 AM

http://www.surfacedstudio.com/tutorials/after-effe...

I have gotten quite a few questions about how I created the blood hit effect from my bullet hit tutorial where the camera pans across the screen as I am being hit.

#adobe#after effects#ae#camera tracking
Online - COLOR CORRECTION in Premiere Pro

January 3, 2013, 09:31 AM

http://feedproxy.google.com/~r/industryhappenings/...

In this session, you'll learn how to use video scopes to interpret your images, how and why to correct the gray-scale values of your image, then how and why to correct the color of your image. By the time you are done, your images will look great! Color correction is the process of fixing problems with your...

#adobe#cs6#premiere pro#color#correction
FxFactory 4.0 VFX plug-in available for CS6

January 2, 2013, 08:45 PM

http://broadcastengineering.com/hdtv/fxfactory-40-...

Visual effects tools developer Noise Industries has begun shipping FxFactory 4, the latest update to its visual effects plug-in platform with support for Adobe Premiere Pro CS6, in addition to Apple Final Cut Pro, Motion and Adobe After Effects.

#adobe#cs6#fxfactory
CS6 Quicktip: Matte Remover Presets

January 2, 2013, 08:44 PM

http://www.audiomicro.com/royalty-free-music-blog/...

One of the things about using motion graphic elements is their ability to drastically change the appearance of your footage. For example, I can have a clip of a woman break dancing in a studio, which is a good piece of stock footage. If I were to drop a motion graphic clip of blinking lens flares or perhaps an abstract grunge clip vignette, it would definitely spice things up a bit.

#adobe#cs6#premiere pro#nle
Premiere Pro: Working with Markers

January 2, 2013, 01:14 PM

http://www.macprovideo.com/hub/premiere/premiere-p...

When editing in Premiere Pro or other NLE, markers are a big part of working smarter and not harder. Markers are a great tool for making notes, marking sync points, and creating chapter markers for Adobe Encore. In Premiere Pro there are three type of markers (Comment, Chapter and Web Link), and we will look at the first 2 types here. So let’s jump in and see how markers work and the improvements to markers in CS6 from CS 5.5.

#adobe#cs6#premiere pro#nle
After Effects 3D Integration VFX Tutorial

December 31, 2012, 10:58 AM

http://www.surfacedstudio.com/tutorials/after-effe...

3D integration VFX has long been an item on my tutorial plan, but it took a considerable amount of time to plan it out properly and finally get started. Since the topic of 3D integration is rather complex, I decided to break this tutorial up into a number of parts and today I will start by covering the theory of 3D integration.

#adobe#vfx#after effects#ae
Transitioning to an Adobe Workflow...

December 30, 2012, 10:28 AM

http://www.screenlight.tv/blog/2012/12/19/transiti...

I was a FCP Editor/Trainer for 10 years. Since FCP X replaced FCP 7 I have been transitioning to an Adobe workflow. Like myself, a lot of former FCP editors are trying out Adobe's Production Premium (equivalent to FCP Studio) or the new Creative Cloud subscription model. In this article I'll look at using Adobe Prelude from a former FCP user's perspective.

#workflow#adobe#cs6#premiere pro#nle
When to Scale to Frame Size in CS6

December 29, 2012, 04:41 PM

http://strypesinpost.com/2012/12/when-to-scale-to-...

For those of you coming to Premiere Pro from FCP7, there is a similar preference in Premiere Pro called "scale to frame size". However, there is one notable difference. In FCP7, when you insert a clip into a timeline, the clip is automatically scaled to the dimensions of the sequence, and the scale percentage is automatically set in the Motion tab.

#adobe#cs6#nle
Studio’s Top Stories of 2012: Part Two

December 28, 2012, 03:05 PM

http://www.studiodaily.com/2012/12/studios-top-sto...

One of my favorite tasks at the end of every year is digging into StudioDaily's analytics and tallying the pageviews for the most popular stories we published in the last 12-month period. The traffic stats always yield an interesting mix of content, from product reviews and case studies to NAB news and business stories. They reveal what we've been spending a lot of time thinking about in the last year and, sometimes, they reveal what we'll still be considering in the next one. Here's part 2...

#fcpx#final cut pro x#adobe#cs6#premiere pro#nle#apple
CS6: Merged Clips within FCP XML

December 27, 2012, 08:23 AM

http://www.fallenempiredigital.com/blog/2012/12/27...

While I sit at my parents house for the holidays, I thought I’d jump on the blog and keep myself busy. The next installment of the LUT series is on its way, but in the meantime I wanted to talk about Premiere Pro CS6′s merged clips and how they translate through Final Cut Pro XML files to the venerable Final Cut Pro 7.

#adobe#cs6#premiere pro#final cut pro#nle#fcp#xml
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