It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 7, 2012, 07:46 AM
http://blogs.adobe.com/aftereffects/2012/12/top-fe...
I just spent some time going through all of the feature requests that we’ve received over the past year. This post consists of two parts: first, some notes about the feature requests from last year that we were able to incorporate into After Effects CS6 (including in some recent updates); second, a list of the top feature requests for this year, with some notes about each.
#adobe#after effects#aeDecember 6, 2012, 10:20 PM
http://www.audiomicro.com/royalty-free-music-blog/...
As editors, one of the many things we enjoy having in our arsenal are filters and transitions that can add creative flare taking our projects from ordinary to extraordinary. Sometimes, they lie in third party plug-ins from numerous developers or creations in After Effects.
#adobe#cs6#premiere pro#nleDecember 6, 2012, 03:06 PM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 59: In this tutorial looking at getting your production out of After Effects, Andrew Devis starts to show how to use the newly redesigned for CS6 Media Encoder for final output options.
#adobe#after effects#aeDecember 5, 2012, 03:03 PM
https://seminars.adobeconnect.com/_a227210/p38n7zc...
Step up to Adobe® Premiere® Pro CS6 software, including more than 50 new features designed to make switching easier. Final Cut and Avid keyboard shortcuts, tight integration with Adobe After Effects® and Adobe Photoshop® software, unmatched performance, and more help you conquer even your most demanding projects.
#adobe#cs6#premiere pro#nleDecember 4, 2012, 10:51 PM
http://www.tuaw.com/2012/12/04/adobe-turns-30-this...
The Life at Adobe blog reminds us that Adobe Systems turns 30 years old this week. Wow, that's gone by pretty fast.
#adobe#nle#birthdayDecember 4, 2012, 03:11 PM
http://www.peachpit.com/articles/article.aspx?p=19...
Spend minutes, save hours! Jeff Greenberg, coauthor of An Editor's Guide to Adobe Premiere Pro, Second Edition, cuts to the chase by pointing out what you need to know to get up to speed quickly and save time with Premiere Pro.
#adobe#cs6#premiere pro#nle#postDecember 4, 2012, 03:02 PM
http://feedproxy.google.com/~r/industryhappenings/...
Last week, we looked at multicam editing in Final Cut Pro X. This week, we look at multicam editing in Adobe Premiere Pro CS6. Adobe has spent a lot of time enhancing multicam editing in Premiere. Gone are the limitations on the number or format of the clips you can edit. Now, you are limited [...]
#adobe#cs6#premiere pro#multicam#larry jordanDecember 4, 2012, 01:24 PM
http://broadcastengineering.com/sugarfx-movie-cred...
Boston, MA – December 4, 2012 – Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces SUGARfx Movie Credits for Apple® Final Cut Pro®, Motion, Adobe® After Effects and Premiere® Pro.
#fcpx#adobe#ae#premiere pro#nle#plugin#sugarfxDecember 3, 2012, 08:59 PM
http://feedproxy.google.com/~r/richardharringtonbl...
TAP!2013 is about a month away. How'd you like a free taste? Join President of Bates Creative, Debbie Bates-Schrott as she shares important strategies about integrating apps into your pipeline. If your digital strategy for 2013 include a tablet app the you should check out Adobe Digital Publishing Suite. In this weboinar you'll learn how to plan your first app and folio.
#adobe#webinar#eventDecember 3, 2012, 08:52 PM
http://mediastorm.com/blog/2012/12/03/mediastorm-g...
This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.
#adobe#cs6#premiere pro#nle#auto-saveDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.