It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 23, 2012, 11:28 AM
http://library.creativecow.net/devis_andrew/Premie...
In this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible.
#adobe#cs6#premiere pro#nle#rolling shutter repairDecember 23, 2012, 11:26 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis goes through and explains many of the options on the right hand side of the Export Settings dialogue box.
#adobe#cs6#premiere pro#nle#export settingsDecember 23, 2012, 11:25 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis starts by talking about the 'Send to SpeedGrade' option and then moves on to discuss the selection settings (left hand side) in the Export Settings dialogue box.
#adobe#cs6#premiere pro#nle#export settingsDecember 23, 2012, 11:23 AM
http://library.creativecow.net/devis_andrew/Premie...
In this third tutorial on Media Encoder, Andrew Devis shows how to create and use 'Watch Folders' which are folders linked inside of Media Encoder which 'watch' for any footage item that is dropped into them and then encodes that footage item to any other output type of your choice. Andrew shows how to create and set up your watch folders as well as explaining some of the limitations of watch folders as they presently work.
#adobe#cs6#premiere pro#nle#media encoderDecember 23, 2012, 11:22 AM
http://library.creativecow.net/devis_andrew/Premie...
In this second tutorial on Media Encoder, Andrew Devis shows how to create preset groups for customers to ensure that you always export the same file types and minimize the risk of choosing the wrong presets when outputting multiple different sequences.
#adobe#cs6#premiere pro#nle#media encoderDecember 23, 2012, 11:21 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the Media Encoder to render out several different versions of a Premiere Pro sequence using easy to find and select presets. Andrew shows how to add sequences without even having to have Premiere Pro open and then change the preset to another one of your choice and add extra outputs to suit your customers' needs.
#adobe#cs6#premiere pro#nle#media encoderDecember 23, 2012, 11:19 AM
http://library.creativecow.net/devis_andrew/Premie...
The timecode effect is often used to generate lower quality versions of footage with timecode 'burnt in' so that producers can give exact times for specific edits and selections. In this tutorial, Andrew Devis shows how to use the 'Timecode' effect to generate timecode for a sequence and to show both media and clip timecodes for a piece of footage in the sequence.
#timecode#adobe#cs6#premiere pro#nle#burn inDecember 23, 2012, 11:16 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the Echo effect and goes through its settings showing how to get the best out of this powerful effect. Andrew also talks a little about filming with the aim of using the Echo effect on the final product.
#adobe#cs6#premiere pro#nle#echo effectsDecember 23, 2012, 11:15 AM
http://library.creativecow.net/devis_andrew/Premie...
The 'Posterize Time' effect can be used to set a frame rate for a piece of footage or a nested sequence. However, in this tutorial, Andrew Devis shows how to use it as a special effect to create dramatic looks for your footage or to give the impression that the footage was taken on an older camera which worked at a different (usually lower) frame rate.
#adobe#cs6#premiere pro#nle#posterize timeDecember 23, 2012, 11:14 AM
http://library.creativecow.net/devis_andrew/Premie...
Time remapping is hands-down the most powerful time changing effect in Premiere Pro and also great fun to work with once you know how to use it. In this tutorial Andrew Devis shows how to vary the time of a clip, how to ease that change, how to ease into a hold keyframe and then ease back out again.
#adobe#cs6#premiere pro#nle#time remappingDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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