To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Practical Look at Improving Footage in CS6

November 24, 2012, 05:54 PM

http://www.macprovideo.com/hub/premiere/practical-...

In this article, we will look at improving footage with two new features in Premiere Pro CS6: Warp Stabilizer and Adjustment Layers. Instead of just going over the new features, I thought we would look at practical ways that you can use them, and any issues and workflows when using them.

#adobe#cs6#premiere pro#nle
Configuring Adobe Premiere Pro and After Effects

November 24, 2012, 05:48 PM

http://filmmakeriq.com/2012/11/maximum-power-confi...

Set up CS6 Production Premium for speed and efficiency. Join partners HP, AJA, and G-Tech to learn how to extend the capabilities of Adobe Premiere Pro CS6 and After Effects CS6 with powerful hardware add-ons.

#adobe#cs6#after effects#ae#premiere pro#nle#improve footage
Comparing Final Cut Pro X vs Premiere Pro CS6

November 24, 2012, 09:48 AM

http://jonnyelwyn.co.uk/film-and-video-editing/com...

Which is better? FCPX or Premiere? No Film School posted a write up about this 45 minute presentation from Ric Lanciotti of the The Pacific Northwest College of Art. Its an in depth video with point by point comparisons of...

#fcpx#adobe#cs6#premiere pro#final cut pro#nle
Adjustment Layers in Adobe Premiere Pro CS6

November 22, 2012, 12:57 PM

http://feedproxy.google.com/~r/richardharringtonbl...

Learn how to apply global effects in Adobe Premiere Pro CS6 to speed up your workflow. This video was recorded at the NAB Conference.

#adobe#cs6#premiere pro#nle
After Effects: Snapping to whole pixels

November 21, 2012, 05:05 PM

http://motionworks.com.au/afters-effects-snapping-...

After Effects' use of sub-pixel interpolation is helpful most of the time but can be a problem when working with layers that you want to remain sharp including Shape Layers and type. I often find myself moving and scaling these layers, resulting in soft edges when the layers aren't positioned on or scaled to whole pixels.

#adobe#after effects#ae#effects#pixels
Matrox driver increases support for Avid/Adobe

November 21, 2012, 12:42 PM

http://www.postmagazine.com/Press-Center/Daily-New...

MONTREAL -- Matrox Video Products Group has released a unified driver on the PC that provides support for the latest software releases for the Avid Media Composer family of products and Adobe CS6 Production Premium on the Matrox MXO2 and Matrox MXO2 Max families of I/O devices, and the Matrox Mojito Max I/O card.

#avid#adobe#cs6#mc6#matrox#premiere pro#nle#driver
Comparing Final Cut Pro X vs. Premiere Pro CS6

November 21, 2012, 07:22 AM

http://nofilmschool.com/2012/11/comparing-apple-fi...

In post production, I've always been a fan of the products from Adobe. I cut my teeth on programs like Photoshop 7, After Effects 5.5, even Image Ready (remember that?). But for editing, I never really got into Premiere Pro, and instead focused my attention on Final Cut Pro (from version 3 onwards). However, this year I finally made the decision to migrate to Premiere Pro CS6, as Final Cut Pro X has some infamous issues.

#fcpx#final cut pro x#adobe#cs6#premiere pro#nle#apple
After Effects: Repositioning motion paths

November 21, 2012, 07:21 AM

http://motionworks.com.au/after-effects-reposition...

In this Prosential tip, guest host James Zwadlo demonstrates different techniques for repositioning a keyframed motion path.

#adobe#vfx#after effects#ae#effects#visual fx
Premiere Pro: Green-screen Keys

November 21, 2012, 07:20 AM

http://www.larryjordan.biz/premiere-pro-green-scre...

Green-screen key, also called a chroma-key, is the process of removing a background color from the image so that you can place an actor in front of another background.

#adobe#cs6#premiere pro#nle
AE Basics 57: Export 3 - Render Settings

November 21, 2012, 07:12 AM

http://library.creativecow.net/devis_andrew/AE-Bas...

AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 57: In this tutorial looking at getting your production out of After Effects, Andrew Devis goes through the render settings dialogue box and explains why you would choose to export through After Effects and how to save a template of your choices.

#adobe#vfx#after effects#ae#effects#visual fx
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