It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 16, 2012, 05:25 PM
http://cineblur.com/vintage-fx-now-available-for-p...
It's been a long time coming, but I've finally finished building my "Vintage FX" presets for Premiere Pro. For most editing workflows, using presets in Premiere Pro is better than using them with After Effects. But, there are a few presets that are only achievable in After Effects; such as the light leaks, and the dirt and grime effect.
#adobe#cs6#premiere pro#plugin#vintage fxNovember 15, 2012, 04:26 PM
http://www.studiodaily.com/2012/11/noise-industrie...
Noise Industries has announced version 4 of its effects plug-in platform and suite, the first one to support Adobe Premiere Pro. Formerly only for users of Final Cut Pro, Motion and Adobe After Effects, many popular FX Factory plug-ins now support both Premiere Pro and FCP X.
#fcpx#final cut pro x#adobe#premiere pro#nle#fxfactory#noise industriesNovember 15, 2012, 04:25 PM
http://news.creativecow.net/story/870213
(November 15, 2012) RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of RE:Match for Adobe® After Effects® and Adobe® Premiere Pro®. RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots.
#software#adobe#cs6#after effects#ae#premiere pro#color#plug-in#vision effectsNovember 15, 2012, 04:23 PM
http://news.creativecow.net/story/870215
(San Jose, California--November 15, 2012) Adobe Systems Incorporated (Nasdaq:ADBE) today unveiled major new components of Project Primetime, the industry’s first fully integrated video technology platform that publishes and monetizes broadcast TV content across any Web-connected device. Adobe® MediaWeaver®...
#adobe#mediaweaverNovember 15, 2012, 02:01 PM
http://www.videoguys.com/Blog/E/MediaStorm+Guide+t...
This is the first of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.
#adobe#cs6#premiere pro#mediastorm#guideNovember 15, 2012, 07:38 AM
http://feedproxy.google.com/~r/richardharringtonbl...
Adobe is hosting a special event about Adobe Creative Cloud on December 5, 2012, starting at 10AM PST.
#adobe#sneak#peak#now liveNovember 14, 2012, 09:04 PM
http://www.dvinfo.net/article/post/adobe-cs6-dvi-w...
This Adobe CS6 tutorial by Pete Bauer of Contrail Media shows the round-trip process of taking a video clip through Adobe SpeedGrade that was deliberately shot at the wrong color temperature (i.e., a camera's white balance was set to daylight instead of tungsten), because color temperature is something that Premiere Pro's built in color correctors don't explicitly have, but SpeedGrade does. Rounding out the workshop is a demo of a simple audio noise clean-up with Adobe Audition.
#adobe#cs6#workshop#premiere pro#premiereNovember 14, 2012, 08:48 PM
http://broadcastengineering.com/fxfactory-40-visua...
Boston, MA – November 14, 2012 – Noise Industries, developer of visual effects tools for the post-production and broadcast markets, is pleased to announce FxFactory 4 is now available. The latest update to Noise Industries’ visual effects plugin platform, FxFactory 4 now supports Adobe® Premiere® Pro CS6, in addition to Apple® Final Cut Pro®, Motion, and Adobe After Effects®.
#avid#fcpx#adobe#after effects#ae#motion#fxfactoryNovember 14, 2012, 02:07 PM
http://www.noiseindustries.com/blog/announcements/...
FxFactory 4 brings support for Adobe Premiere Pro CS6.
#adobe#cs6#premiere pro#fxfactory#noise industriesNovember 14, 2012, 01:52 PM
http://mediastorm.com/blog/2012/11/14/mediastorm-g...
This is the first of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.
#adobe#cs6#premiere#adobe premiere proDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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