To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Noise Industries Releases FxFactory 4

November 15, 2012, 04:26 PM

http://www.studiodaily.com/2012/11/noise-industrie...

Noise Industries has announced version 4 of its effects plug-in platform and suite, the first one to support Adobe Premiere Pro. Formerly only for users of Final Cut Pro, Motion and Adobe After Effects, many popular FX Factory plug-ins now support both Premiere Pro and FCP X.

#fcpx#final cut pro x#adobe#premiere pro#nle#fxfactory#noise industries
RE:Vision Effects releases RE:Match

November 15, 2012, 04:25 PM

http://news.creativecow.net/story/870213

(November 15, 2012) RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of RE:Match for Adobe® After Effects® and Adobe® Premiere Pro®. RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots.

#software#adobe#cs6#after effects#ae#premiere pro#color#plug-in#vision effects
Adobe Takes Major Step to Bring Broadcast Online

November 15, 2012, 04:23 PM

http://news.creativecow.net/story/870215

(San Jose, California--November 15, 2012) Adobe Systems Incorporated (Nasdaq:ADBE) today unveiled major new components of Project Primetime, the industry’s first fully integrated video technology platform that publishes and monetizes broadcast TV content across any Web-connected device. Adobe® MediaWeaver®...

#adobe#mediaweaver
MediaStorm Guide to Navigating the Adobe Premiere

November 15, 2012, 02:01 PM

http://www.videoguys.com/Blog/E/MediaStorm+Guide+t...

This is the first of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.

#adobe#cs6#premiere pro#mediastorm#guide
Adobe Sneak Peaks at Create Now Live

November 15, 2012, 07:38 AM

http://feedproxy.google.com/~r/richardharringtonbl...

Adobe is hosting a special event about Adobe Creative Cloud on December 5, 2012, starting at 10AM PST.

#adobe#sneak#peak#now live
Adobe CS6 DVi Workshop: Using Adobe Premiere Pro

November 14, 2012, 09:04 PM

http://www.dvinfo.net/article/post/adobe-cs6-dvi-w...

This Adobe CS6 tutorial by Pete Bauer of Contrail Media shows the round-trip process of taking a video clip through Adobe SpeedGrade that was deliberately shot at the wrong color temperature (i.e., a camera's white balance was set to daylight instead of tungsten), because color temperature is something that Premiere Pro's built in color correctors don't explicitly have, but SpeedGrade does. Rounding out the workshop is a demo of a simple audio noise clean-up with Adobe Audition.

#adobe#cs6#workshop#premiere pro#premiere
FxFactory 4.0

November 14, 2012, 08:48 PM

http://broadcastengineering.com/fxfactory-40-visua...

Boston, MA – November 14, 2012 – Noise Industries, developer of visual effects tools for the post-production and broadcast markets, is pleased to announce FxFactory 4 is now available. The latest update to Noise Industries’ visual effects plugin platform, FxFactory 4 now supports Adobe® Premiere® Pro CS6, in addition to Apple® Final Cut Pro®, Motion, and Adobe After Effects®.

#avid#fcpx#adobe#after effects#ae#motion#fxfactory
MediaStorm Guide to Navigating the CS6

November 14, 2012, 01:52 PM

http://mediastorm.com/blog/2012/11/14/mediastorm-g...

This is the first of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.

#adobe#cs6#premiere#adobe premiere pro
AE Basics 56: Export 2 - Setting Up For Export

November 14, 2012, 08:10 AM

http://library.creativecow.net/devis_andrew/AE-Bas...

AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 56: In this tutorial looking at getting your production out of After Effects, Andrew Devis shows how to set up your composition for export and how to determine where it will output and how to use default file names.

#adobe#after effects#ae
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