It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 16, 2013, 03:19 PM
http://filmmakeriq.com/2013/01/how-to-create-a-gho...
Want to learn a quick, easy way to make a ghost for your horror/suspense video? On this episode of “5 Minute FX” we find out a great way to have you ghost float down a hallway using garbage matteing and keying, animating the ghost floating, and designing your shot to look like a transparent ghost using rotoscoping and the twitch effect.
#adobe#vfx#after effects#ae#ghost#affectsJanuary 14, 2013, 08:33 PM
http://cineblur.com/are-project-templates-ok-to-us...
Many times, especially if you work in the church production world like I do, you are faced with very tight deadlines and have to come up with something stunning with a very small crew. How do you accomplish this without spending your entire week slaving over one small project? Simple, use a project template.
#fcpx#adobe#after effects#ae#final cut pro#project#templatesJanuary 13, 2013, 08:00 PM
http://provideocoalition.com/cmg_keyframes/story/a...
Does it drive you crazy to see somebody use something the wrong way, then declare it doesn’t work? That’s how I feel about the Roto Brush tool introduced in After Effects CS5. This semi-automated tool helps you separate the foreground (i.e. an actor) from a complex background (i.e. not greenscreen) - “all” you have to do is make a couple quick brush strokes defining where those areas are. Well, not exactly.
#adobe#after effects#ae#premiere pro#cs5January 13, 2013, 04:23 PM
http://feedproxy.google.com/~r/industryhappenings/...
Advanced Study of Adobe After Effects – $995 This two-day advanced class will help you achieve better results from this comprehensive application. Building on concepts from After Effects Level 1 and Level 2 classes, this course covers all about alphas (straight vs. pre-multiplied alphas, working with Photoshop and Illustrator and vector paint) and advanced formatting and [...]
#adobe#after effects#aeJanuary 12, 2013, 11:29 AM
http://nofilmschool.com/2013/01/build-futuristic-t...
2012 saw effects plugin company Red Giant blur the line between advertisement and compelling short film with Plot Device and Time Warp. But as good as both those shorts were, if I’m honest, the demonstrations which really raise my excitement levels are those that are developed in bedrooms with a mighty staff of one.
#adobe#after effects#ae#trapcodeJanuary 7, 2013, 10:18 PM
http://events.creativecow.net/event/2780/mocha-ae-...
Mocha AE is a stand alone planar tracking and rotoscoping utility optimized for After Effects, Final Cut and Motion users. The advanced mask creation tools, simple user interface and copy/paste exchange with AE helps take the complications out of motion tracking and reduces keyframing headaches.
#after effects#ae#mochaJanuary 4, 2013, 08:08 AM
http://www.surfacedstudio.com/tutorials/after-effe...
I have gotten quite a few questions about how I created the blood hit effect from my bullet hit tutorial where the camera pans across the screen as I am being hit.
#adobe#after effects#ae#camera trackingDecember 31, 2012, 10:58 AM
http://www.surfacedstudio.com/tutorials/after-effe...
3D integration VFX has long been an item on my tutorial plan, but it took a considerable amount of time to plan it out properly and finally get started. Since the topic of 3D integration is rather complex, I decided to break this tutorial up into a number of parts and today I will start by covering the theory of 3D integration.
#adobe#vfx#after effects#aeDecember 26, 2012, 08:44 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 62: In this tutorial, Andrew Devis explains what Pre-rendering is and why it would be useful in your projects as well as what to look for when pre-rendering to ensure you don't have problems later in your production.
#adobe#vfx#after effects#ae#render#renderingDecember 24, 2012, 09:59 AM
http://motionworks.net/after-effects-smokey-rays/
This moody volumetric rays background is based on After Effects’ Fractal Noise and Optics Compensation effects, with some Curves, 4-Color Gradient and Mojo for the colour grade. I created it in full HD for your enjoyment. Download project (CS5.5)
#adobe#after effects#ae#smokey rays#background#volumetricDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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