It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 29, 2012, 08:22 AM
http://filmmakeriq.com/2012/11/how-to-create-day-f...
Want to learn how to create day for night effects using After Effects? In this episode of "5 Minute FX," you'll learn how to shoot during the day but turn it into a night scene using the magic of scale and placing, rotoscoping, and color correction in After Effects.
#adobe#vfx#after effects#ae#tutorials#color correction#jitter#day for night#rotoscopingNovember 29, 2012, 08:20 AM
http://library.creativecow.net/devis_andrew/AE-Car...
In this third of four tutorials on the 'Card Wipe' effect, Andrew Devis goes through the various camera, lighting and materials parameters for this effect looking at using the in-built camera, a comp camera and the corner pin option.
#adobe#vfx#after effects#ae#tutorials#jitterNovember 29, 2012, 08:19 AM
http://library.creativecow.net/devis_andrew/AE-Car...
In this last of four tutorials on the 'Card Wipe' effect, Andrew Devis explains the 'jitter' options in the effect and goes through some simple scenarios for animating this powerful effect as well as showing how he created the intro to the tutorial.
#adobe#vfx#after effects#ae#tutorials#jitterNovember 28, 2012, 08:00 PM
http://provideocoalition.com/index.php/ryoung/stor...
Here's another part of the last few weeks or so of assorted After Effects tutorials, tips, and scripts & plug-ins new and old.
#adobe#vfx#after effects#ae#post#visual effectsNovember 28, 2012, 08:41 AM
http://splicevine.com/mocha-for-after-effects/
An interactive recommendation on Mocha for AE from editor Clay Asbury. Keep in mind that you can click on the screen as noted by the Splice Vine markers in the waveform and you will be hyperlinked to a page. Highlights...
#ae#mocha#clay asbury#spliceNovember 28, 2012, 08:34 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 58: In this tutorial looking at getting your production out of After Effects, Andrew Devis goes through the output module settings dialogue box and explains what options to use and how to export multiple formats.
#adobe#after effects#ae#lookNovember 24, 2012, 05:48 PM
http://filmmakeriq.com/2012/11/maximum-power-confi...
Set up CS6 Production Premium for speed and efficiency. Join partners HP, AJA, and G-Tech to learn how to extend the capabilities of Adobe Premiere Pro CS6 and After Effects CS6 with powerful hardware add-ons.
#adobe#cs6#after effects#ae#premiere pro#nle#improve footageNovember 21, 2012, 05:05 PM
http://motionworks.com.au/afters-effects-snapping-...
After Effects' use of sub-pixel interpolation is helpful most of the time but can be a problem when working with layers that you want to remain sharp including Shape Layers and type. I often find myself moving and scaling these layers, resulting in soft edges when the layers aren't positioned on or scaled to whole pixels.
#adobe#after effects#ae#effects#pixelsNovember 21, 2012, 07:21 AM
http://motionworks.com.au/after-effects-reposition...
In this Prosential tip, guest host James Zwadlo demonstrates different techniques for repositioning a keyframed motion path.
#adobe#vfx#after effects#ae#effects#visual fxNovember 21, 2012, 07:12 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 57: In this tutorial looking at getting your production out of After Effects, Andrew Devis goes through the render settings dialogue box and explains why you would choose to export through After Effects and how to save a template of your choices.
#adobe#vfx#after effects#ae#effects#visual fxDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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