It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 1, 2013, 02:18 PM
http://community.hitfilm.com/index.php?/blog/1/ent...
This week's tutorial is all about the chroma key effect. If you're shooting green screen, you're going to want to check out this tutorial as Axel takes you through the basics, explaining how to achieve high quality keys in only a handful of steps. He also delves into the spill suppression features, which can really help to bind your composited layers together.
#adobe#after effects#aeFebruary 6, 2013, 11:55 AM
http://www.mettle.com/tutorial-series-by-trevor-co...
Nancy presents the intro to the tutorial series, where Trevor explains how to create his 3D Superman logo. He walks us through his meticulous design and creative processes, where he explains the importance of research in redesigning a logo. This includes his reviews and critiques of classic Superman logos. Technically, Trevor’s comfortable working in Maya and ZBrush, but he chooses to work with ShapeShifter AE. He’s truly inspiring, and a great teacher!
#adobe#3d#after effects#aeFebruary 4, 2013, 07:46 PM
http://magazine.creativecow.net/article/inspiring-...
"My journey with After Effects is a reflection of my journey as a creative. Fear, skepticism, blood, tears, mocking, understanding, confidence. The cycle repeats sometimes, but it expands and contracts too. Some days it's a thing of wonder and beauty, other days it's collapsing in on itself like a dying star.
#adobe#after effects#aeJanuary 28, 2013, 02:12 PM
http://www.adobe.com/cfusion/event/index.cfm?event...
Join After Effects creators, Dave Simons and Dan Wilk, as they take you on a trip down memory lane to see how After Effects started—from concept to initial user interface. See how much After Effects has changed throughout the years and why things are simply the way they are.
#editing#adobe#after effects#ae#historyJanuary 28, 2013, 08:45 AM
http://www.norender.com/basic-training-after-effec...
(In Spanish) ¡Nueva entrega del curso gratis Basic Training After Effects! En este nuevo vídeo tutorial veremos como podemos modificar el aspecto de las luces traseras de un autobús, utilizando la herramienta vectorial de clonado conjuntamente con los trackers.
#adobe#after effects#aeJanuary 27, 2013, 04:01 PM
http://blogs.adobe.com/jnack/2013/01/happy-birthda...
“I can’t believe I’m talking to these guys,” I thought. “They’re spending their time talking to me–and they’re so down-to-earth!” That was in 2000, when I first met the brains behind After Effects. (I’d just joined Adobe, aspiring to build “AE for the Web.”) 13 years later, I still feel just the same. In any industry full of half-hit wonders acting like they’ve just cured cancer, I find Dave, Dan, and all the AE guys as relentlessly humble and passionate as can be.
#adobe#after effects#ae#nle#postJanuary 26, 2013, 09:47 AM
http://filmmakeriq.com/2013/01/get-buff-with-adobe...
The VFXBro whips you into shape – adding muscle mass in post production without doing all those push-ups.
#adobe#cs6#after effects#aeJanuary 26, 2013, 09:44 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. In this second 'Extra' tutorial in the AE Basics series, Andrew Devis shows how to create shapes from text, how to rotate that shape into a circle...
#adobe#after effects#ae#creative cowJanuary 26, 2013, 09:42 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 64: Expression Controllers are a way to simplify the animation controls for a given composition. Although some people are initially worried by the idea of using Expressions...
#adobe#after effects#ae#post#controllers#expressionsJanuary 25, 2013, 09:03 AM
http://www.premiumbeat.com/blog/keying-in-after-ef...
Need to pull a green screen key? After Effects provides the tools to give you clean keys and in this blog post we'll show you how.
#adobe#after effects#keying#green screenDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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